Upcoming TV Airings
The airings below are based on a generic national schedule. Times and dates can vary by TV provider.
Friday, August 14
Everyone is a suspect when a murder occurs at the country estate of a true-crime TV star.
The airings below are based on a generic national schedule. Times and dates can vary by TV provider.
Everyone is a suspect when a murder occurs at the country estate of a true-crime TV star.
Relative Values
I remember India when she was a tiny little girl, always full of joie de vivre, the life and soul. She was a particular favourite of my sister, Jackie, who was her grandmother. Jackie absolutely adored her and took her everywhere — shopping, to the cinema, to Hawaii.
Geographically, India and I were not close at all. Most of the time I lived in England or the south of France and she lived in LA. But there has never been any kind of uneasiness between us. She and I have always gotten along really well. As for me being famous, well, she didn’t care. I don’t think that children care whether you’re an actress or the prime minister.
Since Jackie died, which was almost 11 years ago, we’ve become much closer. Before Covid I was doing a tour of my one-woman show and India came with me. She was wonderful.
India is the only one in the family who has followed me into this industry. Why nobody else? Because they’re smart. They realise how tough the profession is. It’s not just getting dressed and going on red carpets, you know. It’s a tough business. You have to have a carapace the size of a whale to survive rejection, people saying horrible things about you, the lack of care.
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| Joan with India in A Murder Between Friends |
I did warn her about the pitfalls in this industry. I’d been taught about them by my father, Joe Collins, a theatrical agent, and how dangerous it can be for young girls and how you have to be on your marks, get set, get out of there! He said that if a man behaved wrongly with me, the best thing to do was laugh at them. I became an expert laugher. And if that doesn’t work, he said, a knee to the nether regions. You read about the Harvey Weinsteins and people like that, but it’s not just showbiz, it’s everywhere. Not that I’m against men, because I’m not. But some men, they just feel it’s their divine right.
I also warned India that most actors are out of work most of the time. I myself hadn’t worked for ten months before our film. I left England at the age of 20 for Hollywood and did whatever I could — film, theatre, TV. It was a living. People say I’ve not been in very good films. Well, I was supporting three children, the breadwinner. I’ve always thought of myself as a jobbing actor and took what I could to keep my children fed and watered.
We talk a lot, India and I, intimate things too. With men, if she’s nursing a broken heart I tell her that they are like buses — if she waits long enough, another one will come along. We’re very close. She’s like a daughter to me.
I grew up between the UK and America, and I’ve always been very close to my family. Joan is my great-aunt, but she doesn’t like “great” very much, so we just say aunt. Both Joan and Jackie were always unbelievably well put together, glamorous at all times. Even on an off-day, Joan is immaculate. The way that both of them navigated the world, and speaking to men in general, is something I’ve definitely taken on. The power they would wield in a room was extraordinary to watch.
There was a period of Joan and Jackie not being particularly close with one another, but over the past few years, I’ve spent a lot of time with Joan. When I’m with her, I feel close to my grandmother.
| Jackie with grand daughters including India collecting her OBE |
Joan has always had an effect on people. When I was at school and teachers found out we were related, they were gobsmacked: “Joan Collins is your aunt?!” I tended to downplay it. When I went to drama school, the teachers had no idea who I was. One day, one said that a scene I was doing had “something very Joan Collins about it”. My friends started laughing.
I remember watching Dynasty as a child and being struck by seeing my relative playing that character on screen, how poised she was, how incredible she looked. It must have set something off in me because I’m the only one in the family who has pursued acting.
When I was young I also tried to read a couple of my grandmother’s books but found it quite difficult. Why? Because within the first few pages there would be an in-depth sex scene. So I waited until I was older. In the years since I’ve actually narrated a lot of her audiobooks. That was interesting!
Having someone famous in the family is, I’d say, quite difficult. Absolutely, there are doors that are opened and there’s a certain level of privilege, but sometimes it feels as if you have even more to prove. You have to be better. If you look at a lot of the kids in Hollywood with famous parents, they tend to be really, really good. They kind of have to be. Once that door is open, you’re very much on your own.
I remember on the first day of shooting this film with Joan, doing the read-through, I think quite a few people in the cast were probably sitting there thinking, she has gotten this because of who her aunt is. I’m sure the producers were also a little bit “Oh my God!” when Joan first suggested me, but we did a Zoom reading and it went really well. I threw myself into it.
My first day on set with Joan was terrifying, though. The most nervous I’ve been. I was shaking! But she is such a giving actress, so approachable, normal and lovely. It was incredible to work with her, an amazing experience.
She has always been very good with advice, always warning me of the dangers of the industry. She knows how hard it can be. I’ve seen her in periods of struggling, of not working, but she always handles things so well. She has this inner strength.
I see her every couple of weeks for dinner and feel that we can talk about anything. She has more energy at her age than I have at 32. She’ll be out five nights in a row having dinners with friends. I don’t know what she’s running on, but she is definitely an extrovert.
I think that is what keeps her going. You should see her walk into a restaurant. People are completely starstruck. It’s charisma — at the highest level.
A Murder Between Friends is available on digital platforms now
Joan was delighted to be awarded The Variety Power Of Women Icon Award at a ceremony held at The Chancery Rosewood London..
Cynthia Erivo, Emilia Clarke, Suki Waterhouse, Emma Corrin and Hannah Waddingham took center stage at Variety‘s inaugural Power of Women London, presented by Lifetime, as the five women reflected on their careers, the importance of community and the causes they champion.
Held Wednesday at the Chancery Rosewood and hosted by “Saturday Night Live U.K.” cast member Ania Magliano, the event began with Waterhouse’s performance of her new single, “Back in Love.” Variety publisher and co-president Dea Lawrence gave opening remarks, touting London as “arguably the biggest entertainment hub outside the United States,” followed by Variety co-editors-in-chief Cynthia Littleton and Ramin Setoodeh.
Lawrence surprised the crowd by presenting the Power of Women Icon of the Year award to Dame Joan Collins, who reflected on her successful career as a performer and producer: “I discovered that to survive in this business and to thrive, you have to show which women are needed to reinvent themselves. We have to reinvent ourselves time and time again.”
Collins also teased her upcoming film, “My Duchess,” in which she plays Wallis Simpson, the Duchess of Windsor: “It’s in the last nine years of her life when she was a strong and powerful woman at the beginning, but her strength and her power were totally destroyed by, sadly, another woman. I think it shows a lot of what is going on in the world, which is elder abuse.”
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| Joan with Hannah Waddingham |
“Ted Lasso” star Waddingham talked about how the conversation around powerful women in the industry should go beyond strength: “You see us front-facing, you see us strong, you see us glamorous in whatever way. You see us falling apart when we’re meant to on camera, or on a stage, you see all those sides. But it’s the quiet part that we have to support. Myself and Cynthia [Erivo] have supported each other a lot, both in theater and on screen, when we’ve had really difficult days.”
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| Jacob Young, Hana Vagnerová, Espen Hatleskog, Toby Alexander Smith, Mark Rozzano, Nadia Bjorlin, im Borstelmann, India Thain, Dame Joan Collins |
The film will begin streaming in the UK on Amazon Prime, Apple TV, Sky Store and Virgin Movies.
Watch A MURDER BETWEEN FRIENDS on Amazon Prime here!
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| Mark Rozzano and Joan introduce the screening.. |
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| Joan with Michael Brandon, Glynis Barber and Anita Harris |
The Cannes Film Festival was treated to a dash of old-school Hollywood glamour earlier this month when Dame Joan swept in to the opening ceremony looking stunning in a white couture gown and diamonds and accompanied by dashing French actor Laurent Lafitte. So it’s a surprise to discover that Dame Joan, a true Tinseltown legend for the past 70 years, can often be found ambling around the aisles of a supermarket disguised in an anorak and baseball cap, doing her weekly food shop.
One chap found out to his cost recently when he bumped into her with his trolley in M&S, leaving Joan fuming and her devoted husband Percy Gibson springing to her defence. ‘Fire came out of his eyes!’ exclaims Joan, ‘And I said, “No, no, no, no, don’t darling! It’s fine, I’m not hurt.” I was, actually! Only slightly. You don’t like to be bumped with a trolley!’
Joan has concluded that we Brits are no longer as polite as we were. She complains that ‘cyclists ride on the pavements in London now’ and several of her friends have had close calls with them. ‘My grandchildren and my nephews and nieces are all very polite and well-mannered, but I’ve seen some young people who are not. I’ve seen some old people who are not too, like the man who bumped into me: he was in his late 60s. I think there’s a culture: Great Britain used to be known for everybody being incredibly polite and well-mannered. I don’t think we’re as polite now. We’re not known for our politesse as much as people in Spain and Italy, for example.’
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| Joan on the Cannes Red Carpet |
Today over lunch at an exclusive London hotel, the actress looks none the worse for her encounter with a shopping cart, under a wide brimmed white hat, her dazzling eyes still have that twinkle in them....
‘This is my face, my original face, and it’s got lines and furrows and things,’ she says. ‘I don’t do any tweaks. Nothing. I would never use Mounjaro or any of those weight-loss shots because to me that’s putting poison in your body. I mean, it was bad enough having to take the Covid jab, which I didn’t want to do!’
What’s her opinion of women who use Botox and fillers? ‘It’s a fad, isn’t it? I think, “Why?” Youth is wasted on the young! You see a beautiful 25-year-old who wants to change her face – I find it really sad. And of course, as you get older it’s going to look worse and worse. I like people who look the way they are. And I do not like the trout pout.’
Would she ever go for a tattoo? An anchor on her arm perhaps, like Popeye? Or ‘Percy For Ever’?
‘No,’ says Joan firmly. “Somebody once said that putting a tattoo on a body is like putting a sticker on a Ferrari.’
She looks as glamorous as you’d expect today in a jacket by Veronica Beard over a Karl Lagerfeld sweater. ‘Glamorous from the waist up only, darling!’ she smiles. ‘I’m wearing workout trousers and rubber shoes.’ Well, she is a working woman. Her latest project is a new whodunnit, A Murder Between Friends, in which she plays ‘sharp and sassy showbiz sleuth’ Francesca Carlyle, presenter of a true-crime TV show.
Francesca has a home near a castle where a group of couples in their thirties are spending a boozy weekend – until murder ensues. The movie was shot outside Prague, says Joan, who is also one of the producers. It was written for her by her friend Mark Razzano and the cast includes Toby-alexander Smith, who played Gray Atkins in Eastenders. ‘Everybody who sees it really enjoys it because there are scary things in it, which I think audiences want to see,’ says Joan. ‘But it’s not too blood-curdling. There is some interesting sex! And there are some very good twists and turns.’
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| Joan as Francesca Carlyle in Murder Between Friends |
Unlike her Ms Carlyle, Joan is not a fan of true-crime stories. ‘I don’t want to see stories about real people who’ve suffered. I love those Agatha Christie films like The Mirror Crack’d, the one with Elizabeth Taylor and Kim Novak in 1980 – which I’d like to have been in! They put Kim Novak in instead! I like Angela Lansbury and Dexter. I loved Starsky And Hutch! I was so thrilled when I was asked to be in it.’ Would she have made a good detective in real life? ‘It’s amazing you’ve asked me that question! When I was a kid I used to listen to Dick Barton: Special Agent on the radio. I was glued to it every night. I said, “Mummy, I’m going to be a detective.” She said, “I thought you wanted to be an actress?” I said, “Well, an actress and a detective.” She said, “I don’t think that’s possible.”
‘For Christmas they gave me a detective set. It had special powder for taking fingerprints, a magnifying glass, a notebook and handcuffs. And I put the powder around to see if my younger sister Jackie had been going into my private closet.’ And had she? ‘Yes! She was about eight, I was 11 or 12.’
Bestselling author Jackie died in 2015 at the age of 77. Joan says she still misses her sister and raised a glass to her at a recent dinner attended by many of her family, which includes three children and four grandchildren, not to mention an army of godchildren, who range in age from one to 51. The younger members of the family call Joan ‘DJ’. Is that because she’s a whizz on the turntables? ‘No! It’s for Dame Joan.’ Is that what Percy calls her? ‘Percy has his pet name for me but I’m not going to tell you what it is. You have to have a certain amount of mystery, darling!’
Percy is 60, more than 30 years Joan's junior. Some wondered about the age gap when he became the actress’s fifth husband in 2002. ‘We’re coming up for our 25th wedding anniversary – can you believe it, our silver wedding anniversary! And I’m already planning it.’
They got to know each other when Joan was appearing in a play in the United States that Percy produced. ‘We found out we had so much in common. We both loved musical theatre and hated sports! We loved reading. We just loved the same things and we were on the same wavelength. And he’s the kindest, nicest, sweetest, most caring man. But that doesn’t mean he’s a wimp,’ adds Joan, citing her husband’s role in the trolley incident.
‘Percy and I are very much homebodies. We stay home and we have massive TV screens, including one in the bedroom.’ They go out to see friends, attend events linked to the charities Joan supports, and watch films. They have tickets for the new Michael Jackson biopic, Michael.
‘I liked Michael: every time I met him he’d come up to me and say, “Hello, do you know who I am? My name’s Michael,”’ says Joan, in a very passable impression of the King of Pop. ‘And I’d say, “I know who you are, I’ve met you three times before!” The first time was when he came to the set of Dynasty with his sister. He said, “I’m such a huge fan!” After that I met him several times at different places. The last time was at the Royal Albert Hall. We were doing a tribute to Elizabeth Taylor and we were all on stage together singing.’
The young Joan used to write to the stars of the time in the hope of a signed photo – and she’s withering about (unnamed) celebrities who she says don’t sign their own autographs. She went on to encounter many of the biggest names in showbusiness during her long career. Gene Kelly, star of Singin’ In The Rain, once told her never to do her own stunts ‘because it puts a stunt girl out of work’.
‘During the golden age of Hollywood, which I came into at the end, there was an agent called Sue Mengers. And she would have parties with everyone there – James Stewart, Elizabeth Taylor, Ryan O’Neal, Dudley Moore and Woody Allen. I saw Woody once as he was leaving and I said I’ve got to meet him because I’m a bit of a fan. So he’s just about to go out of the door and I’m wearing this very low-cut dress. “Mr Allen, Mr Allen, I just have to tell you how much I adore your work, it’s so wonderful.” He said, “Well thank you very much. But I’ve got to get out of here, I’m very, very shy.” I said, “Well actually, I’m shy too.” And he looked at my cleavage and said, “Well, you could have fooled me.”’
The actor Rupert Everett wrote in a recent memoir that he stood up a group of Hollywood producers one night because he wanted to have dinner with Joan instead. ‘Oh I think that’s one of the stories Rupert makes up!’ she laughs. ‘Like Julian Clary made up his story that he saved me from drowning in the South of France. He’s said it so many times! I said, “Julian, this is not true!” He said, “Well I know, but isn’t it a great story? You were in the swimming pool trying to get out of one of those rubber chairs and I helped you.” I said, “Yes, but I wasn’t drowning!”’
How much time do Joan and Percy spend at their five-bedroom villa in St Tropez? ‘Well, thanks to Mr Macron I can only spend 90 days there! And that’s for the whole of Europe! So if I go to Paris for the weekend, which I haven’t done since before Covid, I’m allowed 90 days, that’s it. And we have tons of friends who want to come and stay. I sometimes say that place is like a hotel, because I have this big board with who’s coming when: “Tara (Joan's daughter) is coming then, Biggins is coming then...” Christopher Biggins is one of my best pals.’
Will Joan say how she voted in the recent local elections? ‘No, but I’m sure you can guess! I don’t believe in actors getting on their podium and talking about politics. I have strong views about politics but I don’t share them because I don’t think it’s right.’ News junkie Joan says her favourite news channel is GB News, which includes Reform politicians among its presenters, so that might give us a clue.
She takes care of herself by eating well, doing Pilates and dancing. ‘I started dancing when I was three and I have a theory: use it or lose it. When I’m sick, like when I have the flu, and don’t do anything for a week or ten days, I’m really creaky. So I like to go back and exercise everything, even my hands and my eyes.’
With that she fixes her gaze on the far side of the dining room. ‘You look at something in the distance and concentrate on it for ten seconds; then you concentrate on something close to you. You do that three times and then you swing your eyes around: left, right, left, right!’
So could she still strut her stuff on Strictly? ‘No! I was asked ten years ago. My friend George Hamilton did it in America. He said whatever you do, don’t do it – you have to be a contortionist! Nobody over 40 should do it because if you fall and you break something, you’re sc **** d! But I love watching it! My daughter Katy and I watch it every single week.
‘I tell you what I would like to have been in – Downton Abbey! I’d like to have played the mother of Lady Grantham, who’s married to Hugh Bonneville’s character.’ That would have meant her appearing opposite Dame Maggie Smith. ‘I loved Maggie Smith! Wouldn’t that have been fun!’ laughs Dame Joan.
A Murder Between Friends will be available on digital (including Amazon, Apple TV, Sky Store) from 15 June (Plaion Pictures).
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| Joan with My Duchess co-star Charles Dance (Dave Benett) |
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| Joan with Sins co-star Maris Berensen ( Dave Benett ) |
The actress is as sprightly as ever but insists there is no secret to her longevity..

BUY TICKETS TURN THE KEY SOFTLY AT BFI SOUTHBANK HERE!
Read more about the season of films at The BFI below.....
“But it’s more complex. The class system had been blown to pieces and there was political optimism about Britain becoming a more equal society – we saw the NHS established in 1948. At the same time, people still looked for conformity and familiarity; there was a retreat back to tradition. Women were forced back into roles in the home and church-going went through the roof.” While the British stiff upper lip was still in evidence – both in life and on screen – beneath the surface was the imminent arrival of the teenager.
Mark Glancy, Queen Mary’s professor of film history, says: “There was real anxiety about the effect the war and the Blitz had had on children. That fed into fears about juvenile delinquency, especially with the emergence of ‘teddy boys’.” But, adds Dr Geiringer, people also wanted more from life, for themselves and the next generation. With the arrival of television people gained access to new ideas and there was a sense of looking more for personal fulfillment rather than simply adhering to duty.”
That concern for childhood is echoed in one BFI film choice, A Diary for Timothy – a 1945 documentary narrated by Michael Redgrave, taking the form of a letter to a newborn baby, exploring what the future may hold. Popular with critics and audiences, they recognised its air of optimism, mixed with apprehension.
The theme of childhood is also present in Ehsan’s BFI selection, Mandy, starring Jack Hawkins and Phyllis Calvert as the parents of a deaf girl, showing their efforts to help her connect with the world. The 1952 film was shot at Ealing Studios and nominated for a clutch of Baftas.
Iranian-born Ehsan, says it’s a metaphor for a traumatised nation learning to communicate again in peace time. Hawkins himself served in the war, in India and Asia. Ehsan recalls: “I grew up watching these films on TV. When I saw Mandy, years later, I could remember every scene. It’s very moving.“ In Hunted, Dirk Bogarde stars as a fugitive murderer who takes a war- orphaned boy on the run with him - forming an unlikely bond - after the child witnesses his crime.
The 1952 film won critical acclaim for its gritty approach to the austerity still facing Britain - the end of rationing was still two years away. Bogarde had been among the first Allied officers to enter the Bergen-Belsen concentration camp at the end of the war. Praised for his performance in Hunted, he struggled with the aftermath of conflict, once saying: “First there was the war, and then the peace to cope with.”
Dr Geiringer says: “We talk today about ‘broken Britain,’ but post war that was a literal phrase; you could actually see how broken it was just by the bombsites on streets and on screen. The Suez Crisis happened in 1956 and Britain had an identity crisis; suddenly we didn’t have so much power on the world stage.”
Ehsan, who originally curated the programme for the prestigious Locarno Film Festival in Switzerland, choose movies concentrating on the realities of everyday life. He says: “These are all movies that people would have seen at their local cinema. Movies of the era have a reputation of being mild and very conservative but many have their own edge.”
He highlights Turn The Key Softly, a 1953 drama which follows Joan Collins, as one of three women released from prison into a cold and dismal 50s London.
Critics called the actress’s performance “lush and brassy” but it was her co-star Kathleen Harrison who, according to one review, made ‘the loneliness of the poor and unwanted strikingly real’. Mark Glancy says it was a “challenging time” for many with those difficulties, which is reflected in the film. He says: “When I see people in movies from this period I always think how thin they look; they sit down to a meal of two boiled potatoes, a tiny slice of roast beef and some cabbage. But that’s how it was - there were few luxuries.
There were a lot of British films about ordinary people at this time because ordinary people were heroes.” The question of capital punishment was being explored in public life during the 50s – a theme reflected in the 1957 thriller Time Without Pity. Starring Michael Redgrave and Ann Todd, the story follows a father trying to save his son from execution.
Less than a decade later The Murder Act suspended the death penalty for murder in Great Britain. But while life’s meagre joys continued to be rationed, the search for escapism continued. One of the cheapest forms of entertainment remained going to the cinema - according to the UK Cinema Association, there were 1.64 billion cinema attendances in 1946.
Despite the movies featured in the festival being decades old, Dr Geiringer believes we can still draw relevance from them today. He says: “Post war Britain was trying to find its identity - there was a debate about what ‘Britishness’ really was. When resources are short that question of who we are - and who we are not - often arises. We’re seeing a similar thing here in 2026.”
*Great Expectations: British Postwar Cinema 1945-1960 is on at the BFI Southbank until May 30