Wednesday, August 9, 2017

PRESS UPDATE : METRO .. 60 SECONDS WITH JOAN COLLINS .. AUGUST 9TH 2017 ..

Joan Collins on her new Brit flick The Time Of Their Lives and filming in France!

By Anna Smith

What made you want to star in a low-budget Brit flick?

I fell in love with the character of Helen and the whole concept. I play an actress in a retirement home who’s escaped and wants to go to France to the funeral of her ex-lover, who is also the father of the child she’s never seen.

How was filming in France?

France was beautiful, though there was a lot of walking on cobblestones in high-heeled shoes. We did a lot, working 14- or 15-hour days, some six-day weeks. I’m in a lot of scenes, so is Pauline Collins — she’s wonderful to work with, by the way.
We worked together before on Roald Dahl’s Tales Of The Unexpected and we played two chorus girls in Victorian England. It was years ago. There’s a picture, I think I put it on Twitter. I’ll show you [reaches for mobile phone]. She’s a wonderful actress.
When the director, Roger Goldby, first sent me the script over four years ago, he said would I like to do it? I said absolutely. He said, ‘Who do you see as Priscilla?’ and I said, ‘There’s only one person who could play this role and that’s Pauline Collins.’ He said, ‘Do you know her?’ and I said, ‘Well, yes I do.’ I’m trying to find the picture, it’s a nightmare.

Don’t worry, I’ll look it up… Tell us about your real-life friends and your social life!

I have great women friends. What do I like to do? Normally, go out to dinner. I don’t really like going shopping with women friends. I know my own mind too much. You know, we go to lunch… I have a lot of women friends who come and visit me in the South of France.

Is that where you’re based now?

No! I’m based here in England. What are you talking about? How can I be based in the South of France when I’m here?

Um, I just assumed because you said they come to visit you in the South of France.

Yah, in the summer. This is the first time in 25 years I haven’t spent the summer in the South of France.

How does that feel?

Sad! But, you know, it’s worth it because this is a really worthwhile film and I think it’s going to appeal to women, and partly women of a certain age. We are not aiming this movie at boys between the ages of 12 and 25, like most films are. We have a great relationship with [co-star] Franco Nero, he’s great fun, and Pauline and I vie for his affections.

Does your character have an expansive wardrobe?

No, they don’t have any luggage — well, I do pack this suit but when I escape from the home I’m in this drab outfit and long skirt and jacket. I also pack my make-up in a little bag.

What are your own packing essentials?

Practically everything I own, mmm [giggles]!

I hear you still do your own make-up?

Yes, absolutely. I always do my own make-up. Why?

Well, a lot of actors rely on make-up artists.

Yah, and this is a different look from what I usually have. She was used to doing the 1960s eyes.

Have you kept any costumes from films or TV series?

Mm, a few, yes. I kept a few costumes from Decadence and I tried to keep some from The Flintstones In Viva Rock Vegas because they were so amazing, all made of leather, but they wouldn’t let me. I have quite a few Dynasty dresses.

Do you ever put them on?

Put them on?! Oh no. I’m not really into that. Dressing up.

Which movies make you laugh?

Things like, I don’t know, what was I watching the other day? Analyse This, Analyse That, Robert De Niro in any of his comedies, Midnight Run… I watch a lot of movies. I love movies.

Does anything make you nervous?

I was nervous the first day of The Time Of Their Lives. It’s a new character, new crew, new everything. I was quite nervous but I got over it. A lot of actors are nervous but I’m not really any more.

Thank you, Joan Collins

Well, thank you. Pleasure to meet you. 

The Time Of Their Lives is out now on digital download and DVD





Tuesday, August 8, 2017

PRESS UPDATE : THE IRIS .. THE TIME OF THEIR LIVES REVIEW .. AUGUST 2017 ..


FILM REVIEW: THE TIME OF THEIR LIVES (UK, 2017) IS A PLEASANT ROAD TRIP & LIGHT COMEDY ABOUT TWO UNLIKELY FRIENDS

The Time Of Their Lives is a film about two unlikely friends getting a second chance at life. It’s one where you feel like if it had had its own second chance it could have been excellent, but instead will have to settle for being just good. This is ultimately a light, comedy caper and buddy story about two old biddies letting their hair down on the road.
The story is written and directed by Roger Goldby who has worked on television shows like Call The Midwife. You get the sense that this film would make a better vehicle for television rather than the silver screen. The shots are pleasant enough and the leading ladies are put in fine performances, but entire package is not necessarily worthy of the big screen treatment.
Joan Collins stars as Helen Shelley, a self-obsessed, ageing actress who is living her twilight years in a nursing home. She had made a name for herself in a film called “Morty & Me” last century. When this film’s director and Shelley’s former lover passes away she decides to journey to France in order to gate-crash the funeral and network like hell in order to stage a career comeback.
Pauline Collins stars as Priscilla, a downtrodden English housewife who has been beaten into submission. She is married to a grumpy old man named Frank (Ronald Pickup (The Best Exotic Marigold Hotel)). The couple had a son who drowned when he was a young boy and it seems like Frank has never forgiven his wife. Frank is a domineering and controlling man who admonishes Priscilla over purchasing biscuits. When Helen meets the pair during a pit stop on a seaside day trip for the home’s residents, she senses that Priscilla could do with an adventure and she’s right.
The pair pool their resources together and journey to Île de Ré in France in a road trip that is not unlike a geriatric Thelma & Louise at times. Along the way they meet a kind and reclusive Italian artist (Franco Nero (Django Unchained)). The old folks get up to their fair share of outrageously predictable behaviour and hijinks. They take drugs, drive on the wrong side of the road and act like dotty pensioners. It’s a pleasant, if slightly predictable story.
The Time Of Their Lives may not deliver this kind of thing to its viewers but it is still a gentle comedy featuring two wonderful actresses. The pair’s unlikely friendship and on-screen chemistry provide some tender and sweet moments even if there are other times where the film required a little more care and attention. This light comedy about ageing, friendship and life choices is an enjoyable, down-to-earth caper that may not be perfect, but at least it doesn’t leave you hanging or riding along the road to nowhere.
Review Score: THREE STARS (OUT OF FIVE)
The Time of Their Lives hits cinemas on 10th August 2017

Thursday, August 3, 2017

PRESS UPDATE : READER'S DIGEST ... AUGUST 2017 ..

Dame Joan Collins talks to Fiona Hicks about ageing, acting and why you should always keep up appearances.
Dame Joan Collins feels “terrible”. She doesn’t divulge why, but a quick check of her busy Twitter feed reveals that I’m meeting her in a week when the ceiling of her luxury London apartment has collapsed, due to a water leak in her upstairs neighbour’s flat.
A terrible situation indeed—but there’s no making do for Dame Joan. She’s holed up in Claridges and, despite the upheaval, still manages to look divine.
We’re here to discuss her latest film, The Time of Their Lives. In it she plays ageing, down-and-out movie star Helen Shelley, who makes an unlikely friend in downtrodden housewife Priscilla (played by   Upstairs, Downstairs’ Pauline Collins). Together the duo hop-foot it to France for a weekend of age-defying adventures.
“It was a fabulous role,” says Joan who, before this script came along, hadn’t appeared in a film for three years. “She’s a very interesting character in so many ways.”
It’s a role that seems made for her. In fact, sometimes it’s hard to know when the beautiful, strong-willed fictional star ends and Joan begins—but a crucial difference is that at the beginning of the film, Helen Shelley lives in a nursing home. 
“I don’t think it’s likely that I’ll find myself in a nursing home. Although maybe it is, the way I feel right now,” she states, with a slightly bitter laugh. “But I have a family, children, grandchildren, a wonderful husband…” she tails off, implying that none of these people would relinquish her to care.
“I went to two care homes [to prepare for the film], to see how they were, these old people. I don’t know how to say this without attacking the NHS—well, it’s not the NHS, but some of them seemed somnambulistic. The people just sat there; they didn’t have any vitality.”
The more she talks, the more the winsome, slightly coquettish Joan Collins who’s appeared on the big and small screen for more than six decades begins to emerge. It’s clear that she doesn’t relate to these “old people” in the slightest.
“Anybody has a duty to look after themselves, so that they don’t have to expect to be looked after,” she says, straightening a little. “People need to take better care in their youth and middle age, so that they don’t fall apart when they turn 65 or 70.”
Joan herself still exercises religiously, two or three times a week. “If you continue to do something, you’re not going to lose it just because you get older. I don’t feel any physically different to when I was 45. I tell my husband, who’s 51—I think, I never remember—that he’s got to exercise more, because I exercise more than he does.”
Joan’s husband, her fifth, is Percy Gibson. They married in 2002 and are still going strong, despite the media furore about the age gap. He was there at the start of the interview, as it happens, making sure his wife was happy and settled.
Of course, Dame Joan is used to the scrutiny. Since moving to Hollywood in the Fifties, her life has played out in the public eye. “When I came under contract to 20th Century Fox when I was 20, it was just coming to the end of the golden age in which the studios had total control over their stars. There would be one man—I don’t want to say Donald Trump-ish—who was totally controlling of their studio.
“I was told what movies to be in, I was given beautiful clothes—my experience was very positive. I worked with Paul Newman, Bette Davis, Richard Burton…I just took it all for granted.”

Considering this illustrious record, it’s interesting that her advice to young people wanting to enter the industry now would be, “Don’t. It’s the toughest, hardest, most vicious profession in the world. Out of every one person who becomes Eddie Redmayne or Tom Hiddleston or Emma Watson, there are thousands and thousands of others who are waiting tables. It’s incredibly competitive and you have to have a huge amount of luck.
“Sometimes I see things on television and I think, How did that person get that job? They’re really bad. A lot of it is luck, because it certainly isn’t talent.”
Joan’s own career has been “very up and down”. After a hopeful start, appearing in The Girl in the Red Velvet SwingThe Opposite Sex and Island in the Sun, she never quite made it to studio-favourite status, famously losing the role of Cleopatra to Elizabeth Taylor (“That’s when the studio started to go downhill,” she quips). After taking a few years out to raise her three children, she had bit-parts until she hit the big time again in the Eighties, playing the glamorous Alexis Carrington in TV series, Dynasty.
It’s the part that would define her career, and to some degree, her—as the perfectly coiffed image of Joan is one that was cemented during those heady years of TV success. She famously did her own make-up for the part and has since released her own line of cosmetics.
“I think taking care of your appearance is very important,” she says, fixing me with that arresting wide-eyed stare. “You present yourself, or at least you should, in the way you want the world to see you. My aunts and my grandmother and my mother were all extremely glamorous. In the Forties and Fifties people didn’t go around in jeans with their knees sticking out and t-shirts with slogans. That doesn’t mean I don’t have jeans—not with holes in the knee though.”
Her image has certainly contributed to her enduring appeal, and the public’s fascination with her. Looking back on her life, Joan says, “Other than the fact that I managed to raise three children—none of whom became drug addicts or committed suicide or became alcoholics, which is what a lot of children of famous people do—I’m most proud of the fact that I’m almost the longest-working actress in film.”
She gestures to a picture of Doris Day on the wall. “She’s alive, but she’s not working. Sophia [Loren] isn’t working, but she started after me anyway. I’m quite proud of that.”
So what does she feel she has left to achieve?
“I couldn’t call myself a driven person,” she muses. “I do what I like.” She flashes that movie-star smile, her collapsed ceiling obviously forgotten for a moment.
“I just enjoy life—I’d like to keep on living.”

'The Time Of Their Lives' is out on DVD/BLU-RAY  from July 31st!

Wednesday, August 2, 2017

PRESS UPDATE : VARIETY .. AUGUST 2ND 2017 ..

Roger Moore’s Son Geoffrey Filming Satirical Documentary ‘And the Winner Isn’t’ (EXCLUSIVE)


Tuesday, August 1, 2017

PRESS UPDATE : CLOSER WEEKLY .. JULY 28TH 2017 ..


JOAN COLLINS

THE ACTRESS JUST KEEPS GETTING BOLDER — AND HAPPIER — WITH AGE!


Talks ageism, her new film and celebrating 75 years in show business.
In her latest film, The Time of Their Lives, Joan Collins plays Helen, a fading actress desperate for “another chance at life,” as the character bemoans. “There’s a lot of ageism in the workplace today. You’re not allowed to get old,” Joan recently admitted at the film’s premiere, where she was the center of attention and looked radiant in her jewel-encrusted silver gown as she celebrated 75 years in the industry.
“I’m in a business where it’s survive or die, and I went through the jungle alone,” Joan proudly says of how she’s bucked the system and dealt with double standards, chauvinism and heartache along the way. “I’ve
never let anything get me down.”
That includes her talent agent father’s assertion she’d be washed up by the age of 23. “That was the thinking [back then],” huffs Joan, who made her stage debut at 9 in 1942. “When I was 21, I was put under contract at 20th Century Fox for seven years,” she adds, “because 27 or 28 was considered to be the cutoff time for the beauty and youth of girls.”

“Age is just a number. It’s irrelevant unless you happen to be a bottle of wine.”
— Joan

AGING GRACEFULLY
Seventy films later, the beauty is confident about her appearance. “When I see women around my age…I think I look pretty good,” she shares, insisting she’s had no plastic surgery. “You can tell because I have lines and jowls,” she good-naturedly quips.
Just as Joan’s learned to embrace the natural aging process, she’s also come to terms with her standing in Hollywood’s pecking order. “There are older-women parts,” she says, “but they’re going to go first of all to Judi Dench, Maggie Smith, Helen Mirren, Meryl Streep or Susan Sarandon. There are 20 women they’re going to go through before they get to me.”
She’s faced, and overcome, worse odds. Told she was too fat at 126 pounds in her 20s, Joan was put on a pill regimen to control her weight, which she soon quit. “I did some research,” she explains, “and found out they’re what destroyed Judy Garland.”
She also fought for pay equal to her Dynasty co-star John Forsythe in the ’80s. “I was told, ‘You’ve got ideas above your station,’ ” she says of pushback from the studio. “So I said ‘fine’ and went off to Paris. I wasn’t in the first episode of Season 3 because [I held] out for more money because I felt I deserved it.”
An even bigger reward came in 2000 when she met her fifth husband, theater producer Percy Gibson. The two celebrated 15 years of marriage in February, and he’s a great match for the actress despite their 32-year age difference. “I love his sense of humor,” she beams. “He’s incredibly kind, nice and caring.”
His support was vital after the September 2015 death of her sister, author Jackie Collins. “She loved Percy, and Percy adored her,” Joan says, adding that Jackie’s passing at 77 only reinforces her drive to stay as vibrant and active as ever. “It made me aware that time runs out for everyone,” Joan shares, “so make every day count.”

Monday, July 31, 2017

PRESS UPDATE : PRIDE LIFE .. JULY 31ST 2017 ..


Joan Collins having the time of her life

Joan Collins in The Time of Their Lives
Simon Gage catches up at Claridges with Joan Collins and talks about movies, Dynasty, and being a gay icon
“You tell me and then I’ll tell you!” replied Dame Joan Collins from her chair in a sort of private tea parlour in Claridges.
 In my long interviewing career, I’ve done the A B C of celebs (that would be Adele, Beyoncé and Celine) and I’ve never felt nervous like this.
And just before we get into it, I should say that, even close up, Dame Joan is a show-stopping beauty. The hair, the skin, the teeth, the big gold lion-head earrings, the immaculate smart-but-sexy suit… pristine and sparkling with glamour and mischief from head to toe.
Anyway, we’re talking about why Dame Joan Collins is a gay icon (the previous question was “Did you know you were a gay icon?” which was greeted with that tinkling movie-star laugh and a “Yes! How could I not be aware?”). 
“Strength,” I tell her. “If you look at gay icons, there’s no wishy-washy. It’s all women who know their own minds…”
“Streisand,” she says, starting a list. “Shirley Bassey, Judy Garland… but she wasn’t strong. Is Doris Day a gay icon? A little too girl-next-door, right?”
Another reason for her gay icon-dom might be Alexis Colby Carrington, Dame Joan’s character from Dynasty, the high-powered, high-budget soap that revived her flagging career in the 1980s after her previous come-back in movie versions of her sister Jackie’s books, The Stud and The Bitch, which I ask if she regrets, bearing in mind they were fairly racy, lingerie-in-most-scenes super-soft porn… “No!” she snips back. “I think I look pretty good. And I did Playboy when I was 49 and said, ‘Right, this is the last time I do semi-nude pics…’”
“I think Steven was the first gay character on mainstream TV,” she says of her on-screen son in the soap. “And I wanted to show that I loved my gay son equally to the other two. Blake Carrington [Stephen’s mogul father] did not approve at all of his son’s lifestyle and made it perfectly clear. He was a bit like that in real life…” she says, mischievously, of John Forsythe who played the character of Blake. “Sssssh, he’s dead now. Mustn’t speak ill of the dead.” And she does one of those mouth-pulled-to-the-side cheeky looks of hers.
“Anyway, I think it’s very nice that I’m a gay icon,” she says, matter-of-factly. “I think all of my male friends are gay, come to think of it. I don’t have any single male friends that aren’t gay.”
One of those friends is, of course, Ivan Massow, super-successful entrepreneur, journalist and now gay dad. He was originally a friend of Joan’s daughter Tara, and he actually credits Joan with saving his life.
“Well, it was outrageous,” says Joan. “He came to stay with me and I went into the kitchen the next day and there were like eight bottles of wine and two bottles of vodka and I said, ‘You’ve drunk most of this!’”
“We were in the swimming pool and I gave him a lecture: I said, ‘You’re going to kill yourself. You can’t go on like this, it’s the most destructive thing!’ My third husband died because of drugs and drink, drugs mostly, and basically I told Ivan what I thought. I was amazed that he listened. Tough love is good sometimes.”
We’re actually here to talk about Joan’s latest film, The Time of Their Lives, where she stars as a washed-up actress living in an old people’s home who escapes to go to a movie mogul’s funeral in the south of France, hoping to re-connect with Hollywood and so revive her career. Pauline Collins as a downtrodden suburban housewife somehow gets dragged along for the ride.
“I’m an actress!” she announces when I mention that it was brave to let us see behind the perfect make-up/hair we are so used to from red carpets. “I don’t think it’s brave.”
In fact, she liked the role so much when she first read the script four years ago, that she decided she would get involved on the production side, raising money, casting… Celia Imrie was mooted for the role but Joan had worked with Pauline Collins before so that was a perfect fit.
As executive producers, it meant working with Percy Gibson, her husband of 15 years, but then that’s everyday for Dame Joan. “We’re together 24/7,” she says of the relationship, “and it works very well for us. We have our spats but we basically care enough about each other to forgive each other’s irritations.”
As I get up to go, she shows starts scrolling through her phone to show me a picture of her with a drag queen doing Alexis from Dynasty. Oh, you’re much better looking than him, I say.
“Well, I hope so!” she snips.
But you look great in the picture, I tell her.
“That’s the main thing!” she says, doing the cheeky side smile. “Looking good is the best revenge.”
The Time of Their Lives is out on DVD on 31 July

DVD UPDATE THE TIME OF THEIR LIVES DVD / BLU-RAY .. OUT NOW!!

Just a reminder that Joan's latest film 'The Time Of Their Lives' is out on DVD / Blu-Ray from today. You can order on the following!
THE TIME OF THEIR LIVES DVD - ORDER HERE!

THE TIME OF THEIR LIVES BLU-RAY - ORDER HERE!!

Saturday, July 29, 2017

ON THE COVER : SPECTRUM MAGAZINE / THE SYDNEY MORNING HERALD .. JULY 29TH 2017 ..

Check out the sensational cover of this weekend's edition of Spectrum Magazine from The Sydney Morning Herald, featuring a most fabulous portrait of Joan taken by the always superb Fadil Barisha. The magazine features an interview with Joan to coincide with the Autralian release of 'The Time Of Their Lives'.. I featured the interview a few days ago, you can read on the following link!!
THE SYDNEY MORNING HERALD SPECTRUM INTERVIEW

PRESS UPDATE : DAILY MAIL .. JULY 29TH 2017 ..

I survived the Blitz so this was nothing, darling! An indomitable DAME JOAN COLLINS on her London home being wrecked by flooding just weeks before her French villa was engulfed by fire

  • Dame Joan Collins saw her London flat become a 'disaster zone' when it flooded 
  • She and her husband escaped to their villa in the forest above Saint Tropez
  • But here they were faced with wind, fire and an unbearably hot Saharan aridity 
Feeling sorry for myself — as anyone who knows me will attest — is quite simply something I never do. That’s why those who suggest that 2017 is becoming my very own ‘annus horribilis’ could not be more wide of the mark.
I would never dream of comparing my past seven months to the catalogue of misery endured by the Queen in 1992 in which she saw three of her children’s marriages collapse and her beloved Windsor Castle go up in flames.
Although, after a series of varying domestic disasters, I am beginning to wonder what the rest of the year will bring.
As living arrangements go, I didn’t think mine could get much worse. But the past few days have proved me wrong.
The year started badly enough when, while in LA this January, my brother Bill called to say there had been a massive flood in a neighbour’s apartment and the ceiling had collapsed in our London flat.
Returning two days later, my husband Percy and I were faced with a scene of utter devastation. Our sitting room, dining room and hallway — plus all the carpets, curtains and the great deal of furniture these rooms contained — had been completely ruined. The place was a disaster zone.
Our builder Andy broke the news that restoration was impossible while we were living there, so we were forced to move into an empty rented flat with most of our worldly possessions. Suffice to say, difficult days ensued.
And so it was with a sense of great anticipation that we decided to leave our London flood zone and take a quiet ten-day family holiday in the refuge of our villa in the forest above Saint Tropez.
Our party of nine — Percy and I invited my daughter Tara, her husband Nick, Tara’s 18-year-old daughter Miel and her boyfriend Ernie, Tara’s son Weston, his friend Theo and our close friend from New York, Jack Rich — thought we would enjoy some restful days away. How wrong we were.
Soon after arriving, a massive mistral, the strong north-westerly wind that blows from southern France, kicked off around us. The winds blew mercilessly, bringing with them an unbearably hot Saharan aridity.
In these parts, the mistral has such an effect on people it’s said that a man who murders his wife during one will not be charged on account of a fleeting mental state known as ‘mistral madness’.
 

Needless to say, I kept a close eye on Percy — and he kept a close eye on me!
 
Dreams of relaxation quickly disappeared. It was impossible to sit by the pool because you would not only roast from the sun but the wind would suck up whatever moisture remained on your body.
The pool furniture and umbrellas were being buffeted about — often ending up in the water — and the doors and windows kept slamming, frightening the living daylights out of all of us.
Everyone pretty much stayed inside and the images we had of lazy days frolicking about the pool were dashed like cases of rosé wine falling off a truck.
Determined to make the best of it — after all, I was surrounded by my loved ones and the ceiling hadn’t fallen in — we took to indoor life with gusto.
On Monday, we had just had an afternoon game of charades and celebrated with pink champagne and delicious lasagne prepared by our villa staff, 21-year-olds Hannah and Annelies, when we noticed several helicopters and planes circling overhead.
‘Those look like fire planes,’ said Percy. ‘I’ll drive up the hill and take a look.’ No sooner had he left than Tara, pointing at a plume just over our hill, said: ‘Isn’t that smoke?’ Grabbing the binoculars, I ran outside and saw, to my horror, huge columns of smoke and flashes of fire.
I immediately thought of the recent fires in Portugal where fleeing cars had been trapped and consumed by flames.
 
We stood rooted to the spot, watching the smoke stack become bigger and wider, like the cloud from an atom bomb.
Then the phone rang. It was Percy. ‘I don’t want you to panic,’ he said. ‘But tell everyone to grab their passports and valuables, put on sensible clothes and get in the cars NOW. I’m on my way back.’
One doesn’t expect to require Blitz spirit on the French Riveria, but my Blitz baby mentality kicked in. Although I was too young to be fully aware of how much danger we were in back then, I recalled the nights of being woken up, jumping feverishly into my siren suit and going down into the air raid shelters during the bombings.
Not having a siren suit to hand, I hastily donned combat gear — tracksuit bottoms, baseball cap, an old cardigan the moths had dined on for several years, and threw a few ‘essentials’ into a bag. Only later when I unpacked did I realise that, other than a T-shirt, my ‘essentials’ consisted of three pairs of sunglasses, two paperback books and a fan.
A fan! Like I needed one to fan even more flames!
Steve McQueen’s quote from Towering Inferno flashed into my consciousness: ‘It’s outta control and it’s coming our way.’
I’d never seen so many people move so quickly with utterly grim fixed expressions, which thinly veiled sheer panic. I felt particularly keenly for my daughter Tara, who has been trapped in bad fires twice already in her life.
Eleven terrified people — family, friends and our villa staff — mobilised to cram themselves into two small cars and escape. As we drove up the hill, wHannah and Annelies, along with the two youngest boys and our friend Jack, had taken off practically the moment I had hung up the phone from Percy, so we’d lost touch with them.
Thirteen-year-old Theo, in the back of the car, suggested he call his mother, whereupon Jack, with customary New York composure, retorted: ‘And say what? That you are in the back of a car running from a raging fire? Call her after you’re safe.’
Spectators lined the narrow road taking pictures, making navigation on the two-way street difficult, but we persevered, determined to meet up.
Driving out away from the flames, we stopped at a small petrol station and decided to fill up the car. I went into the shop to buy some water for everyone and met a Dutch man from Gigaro, the town where the fire had started. He was in shorts and a shirt and said that the fire had been so close to their house they didn’t even have time to grab anything.
‘It is very bad and it’s spreading,’ he said. The shop-owner gave a Gallic shrug and said in French that everything would be OK and it would not be a big problem.
I looked askance at him as we both detected the pungent odour of smoke emanating from the I just hope my own little Book of Revelations ends hereDutch man’s hair. The shop-owner attempted another Gallic shrug, but it stalled halfway.
After some frantic phone calls, both parties were finally reunited in the coastal town of Sainte-Maxime, a 25-minute drive north of Saint Tropez, outside another bleak petrol station, watching the flames leaping up across the bay.
I sat in the back of the car quaffing a much-needed bottle of water while everyone got out and huddled together to make onward plans. I attempted to join them but when I reached for the door handles they wouldn’t open. I remembered they were child-proofed so couldn’t be opened from the inside.
I had given my phone to Percy, so I banged on the windows with my empty water bottle and yelled at the top of my lungs, but the group outside was oblivious to my plight for what seemed like ages.
It’s truly astonishing how long six minutes can feel like if you’re trapped in the darkness of a boiling hot car.
Finally, my grandson Weston noticed my exertions and came to my rescue with a wry smile. ‘What are you doing back there?’ he asked with a twinkle. Indeed, the youngsters were impressive in their composure.
Granddaughter Miel walked around the group sweetly dispensing hugs and reassuring everyone that, ‘It will be all right’. Boyfriend Ernie kept hugging her, while Theo, on his first trip abroad, finally got to call his mother.
Percy and Tara were on their phones trying to find a place to stay but — owing to the fact that so many other people were also escaping the inferno and it was the high season — their efforts were initially in vain.
I called my friends Susie and Warren Todd, who had a villa nearby. They immediately offered us three guest rooms.
By this time Tara had also managed to find two rooms in a local hotel. She and her family were whisked away and we headed to our billet.
The fire continued to rage on, as efforts to contain it were hampered by darkness. Percy drove through various checkpoints where police and firemen remained vigilant and helpful through the night, herding terrified evacuees through chaos to safety.
The organisation of the French forces was extraordinary. In all, 12,000 people were relocated safely without one loss of life, while more than 4,000 brave firemen and gendarmes, dozens of whom were injured, fought several wildfires over a vast area.
I don’t think there is anything scarier than being trapped in a fire. Like a herd of bison careering down a hill, it’s unpredictable, spreads with terrifying alacrity and consumes everything in its wake.
Tara texted later to say that they were the last people to get a room because there were several homeless families sleeping in the hotel lobby.
Many were far less lucky and had fewer resources than I do, so I feel incredibly grateful.
We made it back to our villa the following day to find the fires hadn’t caused any damage. It was a miracle, really, as the flames were so close that any change in wind direction would have brought them charging up to us within minutes. Again, I thanked my lucky stars.
But my deepest gratitude goes to the brave French heroes who, like our own wonderful firefighters and policemen, plunge headlong daily into danger to keep us safe.
Even as I write, there are still several small fires burning and the winds are picking up. The fire-fighters, exhausted from having been at it in searing temperatures for four days straight, have yet to unburden themselves of their heavy gear. Courage, mes amis!
For if there’s anything to take from my year of flood and fire, it’s surely the exhortation to be found within that old and trusted proverb: ‘Fortune favours the brave.’
I just hope my own little Book of Revelations ends here!