Monday, February 3, 2025

PRESS UPDATE : THE DAILY MAIL .. FEBRUARY 3RD 2025 ..


With a new supersonic jet on the horizon, JOAN COLLINS remembers Concorde’s heyday....



WHEN I heard that there was going to be a new version of Concorde, I was absolutely delighted. A company called Boom Supersonic has demonstrated that its prototype can surge past Mach 1.1 (850mph) in three high-speed runs conducted in California’s Mojave desert, no doubt giving its most famous denizen – the Road Runner – a run for its money.

I’m willing to bet Wile E Coyote wished he had been on board.

This is great news for those of us who like to get to places fast – and remember a time when it was truly possible.

I was petrified on my first supersonic flight from New York to London, white-knuckling it all the way, while in awe of the BA Concorde’s glamorous flight attendants manoeuvring the trolleys along the narrow aisle groaning with caviar, pate de foie gras and good old English roast beef.

Before boarding in New York, I had flown from Los Angeles on a dreary old subsonic flight, slogging and lurching through the rain for an unusually long eight hours.

And when I boarded Concorde, the cramped conditions did nothing to mollify my already frazzled nerves.

The sight of a sleep-masked supermodel snoozing contentedly in her seat opposite me made me envious of whatever medication I supposed she was taking (she told me later that she had made the trip dozens of times and was completely relaxed about it).

As we climbed into the stratosphere, I plugged my ears waiting for the loud blast I fully expected when we broke the sound barrier. I had remembered hearing the ear-shattering sound from Earth when I’d watched Concorde overhead and was amazed when only the most imperceptible lurch meant we had gone supersonic.

A couple of hours later, the captain invited me into the cockpit to view the magnificent sight of London as we circled. I realised I had been whisked there in a mere three hours, less than half the time it had taken me to get to New York from LA.

THIS was the smoothest ride, and I was hooked – on Concorde. Why would anyone want to travel any other way?

So what if Aunt Maisie’s windows get blown in just because she lives under the flight path? (Actually, that wouldn’t have happened: Concorde, even at its top speed of 13,500mph, wouldn’t stress fine crystal even three times closer to the ground.)

It was never cheap: that New York to London trip cost $7,500 by the mid-1990s, equivalent to $16,000 or £13,000 today. But it was magnificent.

Concorde revolutionised business – breakfast in London, lunch in New York and back in Blighty in time for dinner – perfect!

But it was not to be. The beautiful gas-guzzler just took up too much precious fuel, and the beating it took on those supersonic flights required far too much work to maintain.

And then, in July 2000, came that disastrous Paris crash, killing all 109 people on board. It was the only fatal accident in her 27-year history. But it was the beginning of the end for Concorde – and, in November 2003, the last remnant of the glorious age of supersonic commercial flights was laid to rest. What a tragedy, I always think every time I go past the magnificent homage to the beautiful plane on the way to Heathrow Airport. I still miss her.


I had such memorable moments. On one trip from New York to London, I was seated next to Dodi Fayed, son of Harrods owner, the late Mohammed Fayed. When I asked him what he was going to do in London, he smiled and said: ‘I’m looking for a new girlfriend.’ Shortly after, rumours abounded about his relationship with Princess Diana!

Boarding another Concorde flight shortly after 9/11, the security measures were tightened to remarkable levels. Lynx-eyed men and women, who wouldn’t look out of place behind the barrel of a Kalashnikov, manned the passenger lines. It did make us feel more secure, but for one young rock star it caused some embarrassment. After beeping when going through the security scanner, a female officer keenly probed him with her fairy wand. His belt kept on making it go off, but instead of asking him to remove it, she ran her machine over the front of his skin-tight trousers many times until, lo and behold, to the amusement of fellow passengers, we noticed it wasn’t a gun in his pocket at all.



I was humbled to be invited on Concorde’s last flight from New York to London. I’ve always regarded her as one of Britain’s greatest ambassadors, and being part of that final journey was too important a historic event to miss. My husband, Percy, and I arrived to a darkened and seemingly deserted JFK Airport at 6am for a 7am flight.

‘Are we the first?’ I enquired of the charming special services representative. ‘No, you’re the last,’ was the reply. ‘The party’s been going on for hours.’

We checked in without luggage, but I still managed to pocket a couple of Concorde luggage tags, which I understand are now sold on eBay, along with other mementos from the iconic aircraft, including a toilet seat. God only knows how they took that off.

Going through security I beeped – too much bling – and was subjected to a rather undignified search, which would have been OK except for the mass of New York photographers on the other side of the barrier. They gallantly declined to capture the humiliating experience, but that did not prevent them from giggling.

In the departure lounge there was a party atmosphere as luminaries and celebrities quaffed champagne and happily gave interviews to journalists. I said how tragic I thought it was that this magnificent piece of cutting edge technology was going to be phased out, and that I hoped another company, perhaps Virgin Atlantic, could keep it going, as had been reported.

JUST before embarking, I popped into the loo and while combing my hair was asked by a nervous BA press officer if I would do her a big favour. ‘But of course!’ I replied graciously: ‘Do you have a pen?’

‘Oh, I, I don’t want your autograph,’ she said. ‘But would you mind not mentioning Richard Branson any more?’

Shortly after my return the flight was called and the entire New York BA staff lined up to say their goodbyes to everyone, many of them with tears in their eyes. It was still dark outside, but it seemed as though the entire airport ground staff had stopped what they were doing and stood on the Tarmac to wave and cheer.




On board, the champagne was passed around generously as we privileged few buckled up and prepared for the last ride.

I clutched Percy’s hand as the brakes were released and the power of a sudden 250mph acceleration lurched us against the back of our seats, like some insanely powerful hot-rod competition, and then soared into the air like a graceful prehistoric bird.

It was an eclectic group on board: there was a couple who’d paid £40,000 for the privilege; several businessmen who crossed the Atlantic at least twice a week for many years; and a few prizewinners. Back in steerage (I jest – all seats are considered equal), were Jeremy Clarkson and Piers Morgan, then in their prime.

In a snit, Jeremy threw a glass of water over Piers, whereupon Piers sent me a message asking if I could come back and bitch-slap Jeremy. I demurely declined.

Ballet dancer Darcey Bussell helped start the autograph collecting frenzy as the staff did a game job with trolleys and trays while battling revellers, TV cameras and photographers.

But as we approached Heathrow,

the announcement brought a sense of solemnity through the cabin. Everyone fixed their gaze intently out of the windows, seeing London pass beneath, the Millennium Dome and the London Eye impassive. Cars pulled up on the M4 and people waved at us from fields.

The flight attendants walked down the aisle, bidding godspeed to the faces they had become so accustomed to seeing once or twice a week on that NY-LON run, thanking them for the memories shared.

Everyone felt slightly choked up when we landed on the runway, and as we noticed the hundreds of thousands of people who had turned out to say goodbye to this icon of technological achievement.

It still fills me with pride that this Anglo French collaboration – built with British knowhow and driven by those powerful Rolls-Royce engines – broke the sound barrier for commercial flights in an analogue world.

Fax machines and VCRs were hardly known, and smartphones and personal computers the stuff of sci-fi at a time when our clever engineers figured out how to whisk us from London and Paris to New York in less time than it takes to cross at that damn traffic lights from The Mall into Trafalgar Square.

And the achievements were not only speed. The research involved in creating Concorde helped with a host of technological developments as well as side benefits that we enjoy in so many other ways today: from how we use super-strong titanium to advancements in mobile communications.

So, the next time you take that titanium driver out of your golf bag, or use your smartphone, give a nod to Concorde for making it happen. Although it still vexes me that, with all this technological development, they still can’t build a decent touchscreen player to fit into the back of seats on planes.

No doubt our London mayor is, as I write, contemplating how to impose a 20mph speed zone on the Atlantic corridor... and whack a ULEZ on top of it.


Wednesday, January 29, 2025

PRESS UPDATE : THE HOLLYWOOD REPORTER .. JANUARY 29TH 2025 ..

 

John Gore Studios Launches With Hilary Strong as CEO and Joan Collins Project..

British-born Gore, a two-time Emmy and Olivier award winner, will serve as executive chairman of John Gore studios and Strong, previously CEO of Agatha Christie Ltd, will run the company out of London.

By Lily Ford

Joan as Wallis Simpson for Life Magazine 1985

John Gore Studios, a new film and TV production studio headquartered in London, has on Wednesday officially launched and appointed industry veteran Hilary Strong as CEO.

British-born Gore, a two-time Emmy and Olivier award winner, will serve as executive chairman of John Gore Studios. He has tapped Strong as CEO, an exec in the literary and entertainment sectors whose previous endeavors include chief at Agatha Christie Ltd and commercial director at Hat Trick productions.


John Gore Studios, with additional offices in New York, will adopt a “strategic approach to film and TV that mirrors the highly successful methods used for theater” by the John Gore Organization, a comprehensive family of media companies, which includes Broadway Across America, Broadway.com, The Broadway Channel, BroadwayBox.com, and Group Sales Box Office. Gore is a 22-time Tony award winner.

John Gore Studios is already set for production on two new features: The Bitter End (working title) will be directed by multi-award-winning director Mike Newell (Four Weddings and a Funeral) and penned by screenwriter and novelist Louise Fennell. The film stars Joan Collins as Wallis Simpson, the American divorcee who became the Duchess of Windsor after marrying King Edward VIII, the British King who chose love over duty, in the shocking untold story of her final years.

The film will be produced by Gore, Richard Holmes and Francis Hopkinson and executive produced by Strong and Michael Foster. Filming is set to begin May 2025.

Collins added: “I am thrilled about the challenge of playing this iconic woman in a previously untold story and to be in John Gore Studios’ initial roster of what I’m sure will be a very successful endeavour.”




The Bitter End (working title) will be directed by multi-award-winning director Mike Newell (Four Weddings and a Funeral) and penned by screenwriter and novelist Louise Fennell. The film stars Golden Globe winner Joan Collins as Wallis Simpson, the American divorcee who became the Duchess of Windsor after marrying King Edward VIII, the British King who chose love over duty, in the shocking untold story of her final years.

Joan Collins says, “I am thrilled about the challenge of playing this iconic woman in a previously untold story and to be in John Gore Studios’ initial roster of what I’m sure will be a very successful endeavour.”

The film will be produced by John Gore, Richard Holmes and Francis Hopkinson and executive produced by Hilary Strong and Michael Foster. Filming is set to begin May 2025.

Saturday, January 18, 2025

PRESS UPDATE : THE SPECTATOR : JANUARY 18TH 2025 ..

 Diary

Am I a MAGA icon?




‘Traitor!’ the woman yelled at me the instant I entered the beautifully decorated living room of a famous actress. It was a Twelfth Night celebration, and the room was full of glamorous friends and acquaintances. ‘What?’ I replied, bemused. ‘That photo!’ she screamed, ‘How could you take that picture with all those Republicans?’

Over Christmas I had been to a dinner hosted by some good friends who happen to be Republicans. This, it turned out, was a great crime. I am a Tory but have many socialist friends and we get along just fine and have hearty and amusing conversations. Here in America, though, it seems Democrats and the Republicans cannot even mingle. ‘Are you kidding me?’ I asked her. ‘No, I’m not,’ she snapped. ‘I don’t come to your country and get involved in your politics.’ The trouble was that she had read about the dinner on Mail Online, in an article declaring: ‘Hollywood icon is named MAGA Patriot.’ Next day there was another headline: ‘Why MAGA Patriot Joan will always be in Trump’s corner.’ I am almost certain that the ‘source’ of this tidbit is an LA wannabe who makes money by feeding trash to the media. ‘Dailymail.com has contacted reps for Collins for comment,’ it added ungrammatically. As The Donald would say: ‘Fake news.’


A week later, an ominous report on TV said there was a fire in Pacific Palisades. Within an hour, the Pacific Coast highway was shut down and the airwaves were full of news of major destruction. The TV showed palm trees ignited by embers blown by the 90-mile-an-hour wind. I kept a keen eye on the palm trees that surround our high-rise apartment. My son, his wife and toddler daughter were preparing to fly back to Europe but, with the sky now black with smoke, we were concerned their plane might not be able to take off. The winds howled so loudly that the windows shook and when the request came in to evacuate Pacific Palisades, Malibu and Santa Monica, I confess I went to find my passport in case we were next.

We spent the entire day watching the devastation on TV and the trees bending at 90-degree angles from the windows, while texting friends who had been told to evacuate. ‘Let’s watch something to take our minds off all this tragedy,’ I said at some point, and for some baffling reason blurted out: ‘Towering Inferno!’ ‘I doubt that will take our minds off it,’ said my husband. Nevertheless, we settled down in bed to watch that excellent disaster film, and the last thing I remembered was Steve McQueen as the fire chief saying: ‘It’s outta control and it’s coming your way!’

We woke the next morning to the horrifying news that the whole of Pacific Palisades had been destroyed. Thousands of people, including dozens of close friends, had lost their homes, and the fire still raged on, aided by the high winds. Schools and businesses were closed, and more fires were spreading in other areas, surrounding urban Los Angeles. Yet doddering old Prez Biden gave an unintelligible speech to the nation to announce the birth of his new great-grandchild. I mean, who cares?

We ventured out to buy some essentials, and when we were stopped at the lights a homeless man approached us, asking for money. As we always use cards we didn’t have much cash, but Percy managed to scrabble up a handful of loose change. The man dismissed this offering. ‘You ain’t got no notes?’ As we headed home, Percy received an emergency alert on his phone stating that we were in an ‘evacuation warning’ area and should start gathering together our important belongings. Naturally, we panicked and started frantically packing, when he received a second alert telling us to disregard the notification, as it was for another area. Our nerves were frazzled.

The absolute tragedy is that the enormity of the fires was preventable if some basic maintenance steps had been taken, according to media reports. Fire department budgets had been slashed in favour of other programmes; no programmes were in place to remove underlying brush, which is something they enforce rigorously around my property in the south of France; the reservoirs which feed the fire hydrants (standpipes) were allowed to run dry apparently in an effort to preserve an ‘essentially worthless fish called the smelt’. This all smelt fishy. The next day, with the fires still raging and the smell of smoke overwhelming, we decided to take Steve’s advice and ‘get outta town’.

Tuesday, December 24, 2024

TV ALERT : FROM ROGER MOORE WITH LOVE .. BBC 2 .. 9PM .. THURSDAY DECEMBER 25TH 2024 ..


 Tune into BBC2 this Christmas Night for premiere of new documentary on the life and career of the much missed Bond legend Roger Moore.. With many contributions from family and friends including Joan. You can watch at 9pm BBC2 on Christmas Night..



Sunday, November 24, 2024

EVENT UPDATE : THE SHOOTING STAR CHILDREN'S HOSPICES 20TH ANNIVERSARY BALL.. THE ROYAL LANCASTER ... LONDON.. NOVEMBER 23RD 2024 ..



Stars aligned to celebrate 20 years of The Shooting Star Ball...


A host of stars joined 350 guests on Saturday 23 November to show their support for The Shooting Star Ball, which was celebrating its 20th year, in aid of Shooting Star Children’s Hospices.

The annual event took place at The Royal Lancaster Hotel and was hosted by TV and stage star Brian Conley. Guests were entertained by a fantastic performance from Vice-President Tony Hadley MBE and his band, which included a special duet with Julie Forsyth, whose father Sir Bruce Forsyth was the first person to host an event for the charity.


Tony also took to the stage earlier in the evening, together with Vice-President Dame Joan Collins DBE, to share how much the charity means to them. Also showing their support on the night were Patrons Lauren Silverman and Laurence and Jackie Llewelyn-Bowen. Celebrity guests included Elizabeth and Damian Hurley, Julian Clary, Leigh Francis, Brenda Blethyn, Don Black, Dame Maureen Lipman and Dutch sensations Rene and Natasja Froger.


Guests enjoyed a three-course ‘winter warmer’ dinner, before taking part in a money-can’t-buy auction hosted by auctioneer Charlie Ross. Auction prizes included some incredible prizes donated by VP’s Simon Cowell, Dame Joan Collins and Tony Hadley, plus a brand new Mini.

Fabulous Gown Donated By Joan from A recent Harpers Bazaar Shoot


Karen Sugarman MBE, Executive Vice-President of Shooting Star Children’s Hospices said, “The Shooting Star Ball is always a very special evening where we are able to come together to raise vital funds for the families who need our support. This year is all the more special as we celebrate its 20th year. We are so thrilled and overwhelmed with the generosity of every single guest. Without whom, we simply would not be able to provide the vital care to children and families facing unimaginable circumstances.”

Paul Farthing, Chief Executive of Shooting Star Children’s Hospices said, “The Shooting Star Ball is a fantastic celebration of the incredible team at Shooting Star Children’s Hospices and the vital work we deliver. Thanks to those for their support over the past 20 years and their continued support looking ahead, to help us to reach our ambition of supporting every family with a life-limited child or whose child has died, when they need us.”



 

Friday, November 15, 2024

COMING SOON: A MURDER BETWEEN FRIENDS .. TRAILER... COMING 2025!

Here is a first look at the trailer for Joan's exciting new film 'A Murder Between Friends' coming in 2025 .. Watch this space!






Thursday, November 14, 2024

EVENT UPDATE : BISHOPSGATE PLAZA / PAN PACIFIC HOTEL CHRISTMAS LIGHT SWITCH ON... LONDON... NOVEMBER 14TH 2024 ..



 
Joan provided the glamour and sparkle to Bishopsgate Plaza as she switched on the lights on London's tallest Christmas Tree. 

A massive 67 foot sustainable Christmas tree – the tallest in London – will be the latest edition to the iconic City skyline when it is unveiled next month as part of the Eastern City Business Improvement District’s Festival of Light Campaign.

The “Eastern Cit-Tree” will be erected outside the Pan Pacific Hotel London, with a global Film and TV celebrity switching on the lights on November 14th in front of a Dickensian choir and stilt walkers. The tree, made of 65,000 sparkling lights and over 800 red and gold baubles, has been created by The Christmas Decorators – a company committed to sustainability which has earned them the Carbon Footprint Standard, therefore contributing to a greener, sustainable future.

This is just one of the creative and ambitious programme of activities sponsored by the Eastern City BID to help both workers and visitors alike enjoy the iconic area during this period. Working again with Festival.Org, which collaborated with the Eastern City BID to bring the iconic Arcs in 2023 and Bubbles in 2024, we are delighted to reveal IMPULSE – an interactive sound and light playground made up of six see-saws that respond to the riders’ movements.




Monday, November 11, 2024

EVENT ALERT : FESTIVAL OF LIGHT CHRISTMAS TREE LIGHTING CEREMONY... BISHOPSGATE PLAZA / PAN PACIFIC HOTEL LONDON.. NOVEMBER 14TH 2024 ..

 

Eastern City Lights Up The Streets With Londons Tallest Christmas Tree




A massive 67 foot Christmas tree – the tallest in London – will be the latest edition to the iconic City skyline when it is unveiled next month as part of the Eastern City Business Improvement District’s Festival of Light Campaign.

Members of the Bishopsgate community are invited to join us on 14th November 5-6pm at Bishopsgate Plaza in front of Pan Pacific London hotel where Dame Joan Collins will switch on the lights

The Eastern City tree will be erected outside the Pan Pacific London hotel, with a global Film and TV celebrity switching on the lights on November 14th in front of a Dickensian choir and stilt walkers. The tree, made of 65,000 LED sparkling lights and over 800 red and gold baubles, has been created by The Christmas Decorators – a company committed to sustainability which has earned them the Carbon Footprint Standard, therefore contributing to a greener, sustainable future.

This is just one of the creative and ambitious programme of activities sponsored by the Eastern City BID to help both workers and visitors alike enjoy the iconic area during this period. Working again with Festival.Org, which collaborated with the Eastern City BID to bring the iconic Arcs in 2023 and Bubbles in 2024, we are delighted to reveal IMPULSE – an interactive sound and light playground made up of six see-saws that respond to the riders’ movements.

A City of London premier, Impulse is an invitation to play, laugh and transform when put into motion by people, augmented by LED lights and ambient sounds. When not in use, the see-saws will stabilise to the horizontal position and move to a low glowing level. Installed on 2nd December until 15th December, this is guaranteed to bring light and joy through the dark months.

In addition to this, Hive Curates will bring us the City Light Festival which will illuminate iconic areas of the City, including the Lloyds of London building. These playful and unexpected light interventions will bring awe and wonder to the streets, curtesy of especially commissioned artists.

The Light Festival will start on 2nd December.

The BID has also sponsored Christmas trees in the churches of St Helen’s, St Botolph-without-Bishopsgate and St Mary Abchurch, as well as organising traditional Christmas workshops such as wreath and candle making and bauble workshops.

Kate Hart, Chief Executive of the Eastern City BID, said:

“We are incredibly proud to be a trail blazer in our area and bring these festive firsts, which are imaginative, decorative and distinctive. This is a community that drives change – both with new ideas but in perception too. These activations are designed to draw a different visitor, while enhancing the public spaces for our workers and visitors alike.

The Festival of Light campaign draws on the recommendations in our Public Realm Vision launched earlier this year, improving and enhancing the public spaces which are often seen as dark, dreary and unwelcoming. And every event is free for all. The BID is in a unique position as an enabler to bring artists, creatives and businesses together to showcase something the whole area can enjoy and in addition shine a light – literally – on their amazing projects and installations.”

Nick Bolton, CEO of The Christmas Decorators, said:

“We are delighted to be asked to provide such an iconic tree to the City of London. We are quite particular about what new work we undertake as our schedule is always bursting at the seams. However, when we heard about the ambition for this record-breaking tree by the Eastern City BID, we were honoured to put forward our proposal. It’s been
fun for the team to build and even more fun as the installation date finally arrives.”

Guillaume Aniorté, Managing Director of QDSinternational, said:

“We are absolutely delighted that Impulse by Lateral Office and CS Design will light up London’s dynamic Eastern City this winter for a magical and festive fortnight. Londoners of all ages are invited to tap into joy and playfulness with a ride on a series of larger- than-life seesaws that will transform an exciting corner of the city into a playground of light, sound and wonder.”

Thursday, November 7, 2024

PRESS UPDATE : THE SPECTATOR ... NOVEMBER 7TH 2024 ...

 Joan Collins

The Night I Was Turned Away From The Ivy!


Joan at The Ivy in 2015

How the mighty can fall. I was overwhelmed by the approbation I had received for my one-woman show, Behind the Shoulder Pads at the Adelphi Theatre. Standing ovations would erupt several times during our performance. The roar of the greasepaint and the smell of the crowd were heady as my co-star (my hubby Percy) and I took our bows to wild applause and cheering. At the after-party at Rules, the oldest and most revered restaurant in London, we were inundated with admiration and support from everybody there. Two nights later, still glowing from all the attention, Percy, my daughter Katy and I went to the Curzon Cinema in Victoria, our first visit to a big screen for six months. Percy had booked the Ivy Victoria for between 7.45 and 8 p.m., informing them that it would be ‘after the movie ended’. We showed up a few minutes before eight to be greeted firstly by a look of ‘Who the hell are you?’ followed by a reproving: ‘You’re very late so we don’t have a table for you now.’ While Percy cajoled and entreated with various hostesses, managers and waiters, Katy and I slunk to the bar trying to ignore the amused expressions of the seated diners. After a highly embarrassing and frustrating ten minutes we left, caught a cab to the ever-welcoming Frantoio where we enjoyed a first-rate repast, great service and appreciation for our patronage. As I’ve been going to the original Ivy in West Street since I was 16, that brought me down a peg or two.

The movie we saw was The Apprentice. It was a fascinating look at Donald Trump’s rise from a 27-year-old innocent-looking builder to a 42-year-old titan of industry. He was portrayed magnificently by Sebastian Stan but not as a caricature. The man who was his mentor and taught him all he knew about winning was one Roy Cohn, a creepy tiny creature brilliantly played by Jeremy Strong. It was an enjoyable film, with a fascinating narrative, a beginning, a middle, and an end, unlike too many of the recent offerings. I like to be entertained when I go to the cinema, not lectured at or ‘disturbed’ and come out feeling that I’ve wasted a couple of hours on some woke nonsense. But I had to laugh at the trailers offering a promotion for ‘dog day afternoons’, where your canine friend can sit on your lap and enjoy the movie with you, saliva running like the Orinoco and celebrating that this world has finally ‘gone to the dogs’.

It’s distressing that the morbid language from this new government about our economic future has caused so many wealthy individuals to up sticks and jet off to greener pastures, leaving charities with their own ‘black holes’. I am a patron of Shooting Star Hospices for children with end-of-life conditions, and we have lost so many wealthy supporters we are struggling to sell enough tables for our 20th anniversary gala and auction, so crucial to our funding, on 23 November. There’s still time for a donation, Lord Alli… you’re the only one left!

Joan at Shooting Star Ball in 2022

Thinking about government payouts, and pensions, I started working at age 16 for £3.10 a week as a trainee in the Maidstone Repertory Company. I was an assistant-assistant stage manager, an assistant-assistant prop master and prompter, and I understudied the role of the ‘maid’ in just about every play written by western dramatists. It was regularly a 15-hour day, six days a week, but I learned so much from watching those brilliant rep actors hone their craft and it’s sad to realise repertory companies no longer exist. And as a bonus for my efforts, my father made me sign up for national insurance. I proudly paid my dues working on stage and in films and TV (Yes, Keir, acting is ‘work’). But when the time came to receive my pension, the DWP had no record of me! Yes, Joan Collins does not exist in their books, nor does Joan Reed or Joan Newley or Joan Kass, so I’ve never received a penny from the government, much less the winter fuel allowance. I hear you say: ‘Oh, but look what you receive from Dynasty reruns!’ The answer is nada, zilch, rien. The cast of Dynasty are not lucky recipients of major residuals like the actors from Friends, so the alumni are still jobbing actors.

I'm scared of AI. I know we must move with the times but there are so many aspects I find truly horrifying. Videos of tiny toddlers wearing the most bizarre costumes while carrying weird animals strutting down a fashion runway with smug expressions on their baby faces keep popping up on my Instagram feed. I know that AI can perfectly replicate voices, evinced by the rebirth of Michael Parkinson’s interviews, and developers can also create facial likenesses, although apparently AI is prevented from creating an exact replica of anybody’s face – thank goodness for small mercies. Percy experimented recently, asking the AI bot to generate a picture of me. The result was a hybrid version of Anita Dobson and Shirley Ballas.

Written by
Joan Collins

Wednesday, October 23, 2024

COMING SOON : A MURDER BETWEEN FRIENDS ... COMING 2025 FROM ARTISTS VIEW ENTERTAINMENT ..


 Here is a first look at the poster for Joan's latest film release 'A Murder Between Friends' which is due for release in early 2025..

Watch this space!

A Murder Between Friends
Director: Jacob Young
Writer: Mark Rozzano
Cast: Joan Collins, Jacob Young, Toby-Alexander Smith, Nadia Bjorlin , Simon Cotton, India Thain, Hana Vagnerova, Jim Borstelmann, Espen Hatleskog
Release Date: 2025
Genre: Thriller
Synopsis: When a group of friends decide to escape the city for an impromptu reunion, they lease a magnificent castle owned by a legendary television detective. What begins as a fun-filled getaway takes a dark turn when one of the guests is found dead under mysterious circumstances. As tensions rise and secrets are uncovered, each guest becomes a suspect, compelling the famed sleuth, played by the acclaimed Joan Collins, to unravel the clues of a genuine murder mystery.

Thursday, October 17, 2024

PRESS UPDATE : THE LONDON STANDARD .. OCTOBER 17TH 2024 ..


Dame Joan Collins on Brexit, divorce and being 'a really good diva'

As she launches a new stage show at the Adelphi Theatre, Nick Curtis meets the Dynasty diva to hear what she really thinks about everything from the US election, to taxes, to desire..
By 

“I won’t have a glass of wine because if I do I’ll tell you anything,” says Dame Joan Collins, settling into a quiet table at Olivio in Elizabeth Street. Even without the lubrication of alcohol this great dame, the Dynasty diva with a nine-decade acting career, proves deliciously indiscreet on subjects ranging from Brexit to the US election to her five husbands.

She’s  hates being defined by age, and in her last memoir, Behind the Shoulder Pads, listed the ages of all the journalists vulgar enough to bring it up (I’m 58, Joan, for the next volume). She’s in her “uniform”, a 10-year-old Erdem dress (“I used to love him but he changed his style”), a white jacket she designed herself and a hat “bought for $10 in an American supermarket” — she has homes in LA and St Tropez as well as Belgravia. Smaller than I expected from her regal image, she has good skin, a level, green-eyed gaze, a deliciously wry smile and a quick wit.

An example. I ask her if she regrets anything and she says, “Three ... no, two dreadful marriages. My first one, when I was 18 [to actor Maxwell Reed] and my last one to Peter Holm.” The pop singer and playboy was her penultimate spouse, before her current union with Percy Gibson, 32 years her junior, who she married in 2002.


“I don’t regret Tony [writer and actor Anthony Newley] and Ron [Kass, a businessman] because I had children with them,” she says of husbands two and three. “And sadly, they’re all dead now.” Holm is still alive, I say. “Is he?” she retorts with immaculate uninterest. “I don’t follow his fortunes. Michael Caine used to call him ‘the Swedish comedian’.” She, Caine and his wife Shakira meet for dinner “every two weeks or so”, and I sense she’s slightly miffed that her cockney contemporary has started writing novels, a field Joan followed her sister Jackie into.


Dame Joan wears Miss Sohee silk cape, price upon request; gold Korean butterfly choker, price upon request; missohee.com. Merola clip on earrings; merola.co.uk
Dan Kennedy, shot at Claridge's

“I think I might write another book,” she says airily. “I’ve done 19.” Initially she says she won’t talk about politics before jumping in with both feet. As a current affairs obsessive who takes five newspapers and devours TV bulletins, she’s glued to the American presidential election. “There’s a lot of sneering going on. I’m glad I don’t have to vote. I don’t know who’s lying. I would like to see a woman president, which is not to say I’d like it to be Kamala Harris. We’ve already had a black president and I thought he was good. America is in a pretty bad state. But then again, so is Britain.”

Roadworks and reckless pavement cyclists annoy her in London but her real ire is reserved for Sir Keir Starmer’s withdrawal of the winter fuel allowance. “I think it’s a total, total, total outrage what they’re doing to pensioners. These are people of my generation, and even older and younger, people between 60 and 100 let’s say, who have saved, like I have saved. I have three homes, but nobody’s ever given me anything. No husband has ever given me anything: they’ve taken from me.” On Brexit she says: “I did vote for it and now I don’t know whether it’s good or bad. I do know that I can only spend 90 days in the South of France now and we get taxed on our home there.”

She didn’t rate Rishi Sunak, Liz Truss or Theresa May but “I am a Tory. Everyone knows that. I was a huge fan of Mrs Thatcher. I cannot believe that Starmer took down her portrait. I think that’s an insult.” She gives a self-reproving peal of laughter. “What am I saying? I’m never going to be invited to Chequers! Not that I ever was by Sunak. The only person who ever invited me to Chequers was Tony Blair. I liked Blair. He told me he wanted to be an actor. I said, you’d have been a great one.”

She retains a fondness for Boris Johnson, who encouraged her to write for The Spectator when he was editor, and she is shocked to hear the magazine has been sold. “Really? To English people I hope.” I tell her the buyer is Paul Marshall, the co-owner of GB News. “Oh, I don’t watch that very much,” she says with lofty disdain. “I watch Jeremy Vine, who I love. And Loose Women. I watch a lot of news and sometimes I’ll just put MTV on: I can’t bear a black screen.”

We’ve met to talk about her stage show, also called Behind the Shoulder Pads, which comes to the Adelphi on October 22. MC-ed by her husband Percy, it opens with a film montage of everyone from Oprah Winfrey to Johnny Carson introducing her.

“Then I come on, I say something witty, like ‘I’m Joan Collins’, and I launch into my life story, making it as amusing and interesting as I can, because everybody’s heard it a billion times.” After a break and a change into a new Amanda Wakeley or Jenny Packham gown there’s a Q&A with the audience. What’s the most surprising thing she’s been asked? “How do you put your false eyelashes on? And I said, I don’t wear false eyelashes any more. I don’t even wear mascara or eyeliner. They’ll ask about Dynasty, about the actors I worked with like John Gielgud, Nigel Hawthorne and Paul Newman. And they’ll often ask who was the best kisser.” And who was? “Paul Newman, of course,”

Hers is an extraordinary life and career. She was born in Bayswater in 1933 and had a strict upbringing in Maida Vale by parents she adored, her father an authoritarian Jewish South African theatrical agent, her mother a dance teacher who taught her always to exercise, keep the sun off her face and “always leave something on my plate”. (She doesn’t finish her starter portion of ravioli today.) Her mother died at 52 of breast cancer, the same disease that later claimed her younger sister Jackie: she has a younger brother, Bill, and a half-sister, Natasha, from her father’s second marriage.



Dame Joan wears Elie Saab blazer, £1,600, trousers, £975; Elie Saab Bruton Street. Helen Moore bespoke faux fur stole, £139; helenmoore.com
Dan Kennedy, shot at Claridge's


Young Joan wanted to be a clothes designer or a stage actress: at 16 she went to Rada and at 17 was signed to the Rank Organisation as a starlet quickly dubbed “Britain’s bad girl.” Maxwell Reed, she revealed in an earlier autobiography, drugged and raped her on their first date and she married him in 1952 out of “shame”. They were already divorcing when 20th Century Fox flew her out to LA in 1954 with a seven-year contract.


“It’s seven years because, you know, a woman of 27 has lost her allure and become an OLD PERSON,” she snorts. “But it was terribly daunting. I was only 20: my mother couldn’t come with me as she was ill and my sister was too young. They [Fox] found me an apartment, hired me a car, got me an agent and a financial adviser who ended up screwing me blind. Figuratively, that is.”

One boyfriend, Sydney Chaplin (“Charlie’s son”) introduced her to a social circle including Gene Kelly: another, Warren Beatty, got her pregnant and she had an abortion for the sake of both their careers. “The last time I saw him, he was going into some event with Annette [Bening, his wife], and he said to Percy, ‘I still love this woman.’ Ridiculous.” She made scores of films, but shortly after appearing with Bob Hope and Bing Crosby in The Road to Hong Kong in 1962, “I met Tony Newley and started having babies.”

Following the birth of Tara in 1963 and Sacha in 1965, the marriage ended in 1970 after Newley detailed his infidelities in the musical Can Heironymus Merkin Ever

Forgive Mercy Humppe and Find True Happiness? After a fitful decade, including a guest spot on Star Trek in 1967, her acting career cranked up again with a handful of horror films, comedies and thrillers in the 1970s. “I’ve done some really crappy films, Nick, but that’s the profession,” she says. “If you’re a baker you don’t always bake the perfect loaf. And I was the breadwinner in my family for many years.”

She had met Ron Kass, head of Apple Records and later Warner Bros Records UK, in 1969 and married him in 1972. Their daughter Katyana, known as Katy, was born the same year and in 1980 was seriously injured in a car crash. This happened after her mother’s second coming as a softcore sex symbol in The Stud (1978) and The Bitch (1979) adapted from her sister Jackie’s bonkbusters. She and Kass divorced in 1983 and he died in 1986: in her book, she says Dodi Fayed, who was living in their Chelsea basement, got Kass addicted to cocaine. “I don’t like to talk about Ron, because I’m very close to Katy ...” she tails off. “I just don’t talk about their [her children’s] fathers.”

From 1981 to 1989 she played Alexis, the glamorous, scheming first wife of John Forsythe’s Blake Carrington, in Aaron Spelling’s American mega-soap Dynasty, and it’s the only thing she still watches herself in today. “It’s a fantastic show with wonderful actors, all looking great, beautifully shot, with incredible clothes and a very, very good narrative. During Covid there was nothing to watch, and Percy and I found this big box set I’d never opened: half of the shows I’d never seen, because I always came back to England during hiatus, and that’s when they were screened.

“But boy did they push me around,” she continues. “They suspended me and refused to give me a raise even though I was extremely popular and on every magazine cover. So in the end I said, ‘Screw you’, and didn’t go back for season five. Eventually they came back and gave me a small raise, but it still had to be less than John Forsythe got.” She wreaked some small revenge, though. “I stole a lot from Dynasty. I couldn’t steal the clothes, so I took the costume jewellery. I hope Candy Spelling [Aaron’s widow] doesn’t read this. She’ll want them back.”

Through the Nineties she took occasional film roles but also returned to her first love, theatre. The company manager on a 2000 US tour of the play Love Letters she did was one Percy Gibson. They fell in love, despite the age difference. “If he dies, he dies,” she memorably quipped when guest-hosting Have I Got News for You. “We have the same blood group,” she says when I ask the secret of their relationship. “He’s just a wonderful man. He is kind, thoughtful, funny, the most caring person, a take-charge guy and a gentleman — of which there ain’t too many around today. We play very competitive poker and Scrabble and he loves and takes care of my children.”

She’s still a “jobbing actress”, appearing in American Horror Story and trying to get a film about Wallis Simpson’s last years off the ground. “But I’m very happy not to work. I have a wonderful life. I have a great husband. Terrific friends, great children.” She also has four grandchildren, who keep her au fait with social media. Collins runs her own Instagram account. “I’ve got over half a million followers, which is pathetic compared to influencers” — she almost spits the word — “but pretty good for someone like me.”

She enjoys eating out and visiting the cinema and the theatre, most recently taking in Fawlty Towers the Play and Sir Ian McKellen’s film The Critic. She thinks most fashion today is “bleurgh” but loves a trawl through the Oxford Street M&S. She credits her upbringing for the fact she never went broke or off the rails on drink or drugs (“look at Matthew Perry”) and has remained “normal”. Claridge’s in Mayfair is known to be one of her favourite places, marrying Percy Gibson there in 2002.

“When people talk to me they say, ‘Oh, Joan, you’re so normal.’ Which I am. All this diva shit that people throw on me, that’s from the characters that I played.” She flashes her smile again: “I do give really good diva. On stage I diva it to death.”

Joan Collins: Behind the Shoulder Pads is at the Adelphi Theatre on October 22; lwtheatres.co.uk

Styled by Arabella Boyce. Make-up and hair by Alyn Waterman using Charlotte Tilbury. Photographer’s assistant: Patricia Benitez. Dresser: Chrissy Maddison. Photographed at Claridge’s. Special thanks to @alexsilverpr