Check out the latest issue of 'Reader's Digest' magazine which features Joan on the cover and a 7 page interview inside!
"I Do What I Like" - Dynasty diva Dame Joan Collins talks to Fiona Hicks about ageing, acting and why you should always keep up appearances! ..
Also inside an exclusive offer on Joan's bestselling Timeless Beauty range.. See Following link!
Reader's Digest Timeless Beauty Offer!!
Wednesday, July 26, 2017
Tuesday, July 25, 2017
DVD ALERT : DYNASTY THE COMPLETE SERIES .. REGION 1 .. PARAMOUNT .. OCTOBER 10th 2017 ..
- Although available as a box set in the UK. Paramount in the United States are releasing the complete set of 'Dynasty' this October 10th in a fabulous package featuring Joan centre stage! Check out the provisional artwork.
- Pre Order Here .......
Live the fantasy again with this engrossing 57 disc, 220 episode collection from Paramount. Featuring Golden Globe-winning performances by its stars Dame Joan Collins, Linda Evans, and John Forsythe, and produced by the legendary Aaron Spelling, Dynasty is an outrageously entertaining pop culture phenomenon like no other.
Monday, July 24, 2017
PRESS UPDATE : DAILY MAIL .. THE ONE LESSON I'VE LEARNED FROM LIFE! .. JULY 24TH 2017 ..
The one lesson I've learned from life: Dame Joan Collins on why we should resist the urge to over-plan...
By Anna Pursglove
Resist The Urge To Over-Plan Life..
In my latest film 'The Time Of Their lives', my character Helen says: ''By mistake - that's how the best things happen!''
It's true! I met Percy when he stage-managed a production of 'Love Letters' I was starring in. I certainly wasn't looking for a relationship at the time. I even try not to over-plan my social life, though that's hard to do. Percy and I go to the South of France for three months each summer and we have to plan then because I love seeing my friends and family and may stay with us. It's like running a guest house - Fawlty Towers in St Tropez!
If you plan your day too rigidly you don't leave yourself any down time, which is when you have your best ideas. My mother used to relax for an hour or two every afternoon. I try to write something every day. Even if it's just a couple of lines. Writing is like a muscle, you need to keep using it to refine it. I have an idea for a script but I'm not talking about it yet!
Some women spend vast amounts of time planning Botox and fillers but I don't think they achieve anything you can't get with a good base. Test it on the back of your hand and just slap it on your face. That's why theatre people call it slap. In my opinion, women who spend hours on injections don't look nearly as good as women who just apply a good foundation every day, which is something you barely need to think about!
There are, of course, things that you definitely do need to plan. Your wardrobe, for example. I adore clothes, but find it harder and harder to shop.
Everything feels too girlish or too mumsy. And those ridiculous mid-calf wide trousers that are everywhere now. Only tall models look good in those.
I know what suits me and that is what I wear — not the latest fashions. If you haven’t become self-confident by my age then, frankly, you never will.
- Dame Joan Collins stars in The Time Of Their Lives, out on DVD on July 31. Joan Collins Timeless Beauty is available from marksandspencer.com
Wednesday, July 19, 2017
PRESS UPDATE : CLOSER MAGAZINE (USA) .. JULY 31ST 2017 ..
Check out the latest issue of 'Closer' magazine USA, which features Joan in an exclusive feature.. Available on newstands now!
FILM FLASHBACK : SEVEN THIEVES .. 1960 .. FOX ..
This exciting heist caper from 1960 features Joan with a cast of Hollywood heavyweights including Edward G Robinson, Eli Wallach & Rod Steiger.. Read more in my film archive here!!
60's Focus : SEVEN THIEVES .. 1960 .. FOX ..
60's Focus : SEVEN THIEVES .. 1960 .. FOX ..
Tuesday, July 18, 2017
PRESS UPDATE : RADIO TIMES TRAVEL .. THE TIME OF THEIR LIVES LOCATION .. JULY 17TH 2017 ..
Île de Ré: Have the time of your life on this idyllic French island
The setting of Joan Collins’ latest film is a cyclist’s paradise with 17th-century charm and the best pork terrine known to man..
Catching my breath atop a crumbling, 600-year-old church, I look down to see whitewashed fishing villages peppered with terracotta roofs sprawled out beneath me. In the distance is a prison that the locals compare to Alcatraz – at odds with the quaint and cobbled streets of Île de Ré.
The Église de St Martin offers 360-degree views of the island, and squinting under the June sun, it's a relief to have reached the peak of its tower after what felt like a slightly perilous climb up its ancient, winding stone steps (especially after a pastry-laden breakfast).
Île de Ré is the idyllic setting for The Time of Their Lives, a film starring Joan and Pauline Collins that sees the pair swap the banality of British retirement for a jolly on the French island. Just west of La Rochelle and its glorious Côte Sauvage, Île de Ré is reached by a dramatically arching two-mile bridge. Joan and Pauline pootle across this bridge in their blue vintage Citroen 2CV – a car as common in Île de Ré as an Uber Toyota Prius in London.
The island boasts vast golden beaches and more than 60 miles of cycle tracks. It undoubtedly fulfils its reputation as a cyclist’s paradise: all sorts can be seen trundling along on wheels, from recumbent bikes and tandems to panting dogs in trailers and fresh loaves in baskets. I would like to say that in the film Joan and Pauline share a tandem... alas Joan stays firmly in the Citroen.
Saint Martin de Ré, the “capital” of the island, is encased by a very impressive 17th century wall and surrounded by what would once have been a water-filled moat but is now lush grass verges. In its centre, Hotel La Maison Douce – a play on the French for "home sweet home" – lives up its name and is a great place to stay. There's an inner courtyard garden and the 14 rooms are in converted cottages resplendent with free-standing bath tubs and ethereal mosquito nets. My chambre prestige starts at €125 a night.
Just a few minutes' walk away is the aforementioned église and an array of chic boutiques and seafood haunts on the harbour. Wild flowers and teal shutters decorate the houses. A lively place to eat and drink is Le Bistrot du Marin, which serves the best pork terrine du chef I’ve ever had the pleasure of wolfing down. Every islander I meet is wonderfully welcoming and has an excellent (and therefore distinctly un-Parisian) sense of humour. The staff at this restaurant are no exception.
Once you venture outside Saint Martin, Le Bois Plage en Ré is just a short bike ride away. It has a vast beach backed by dunes and a pinewood forest, plus an inexpensive, unpretentious little market and beach bar.
La Couarde sur Mer is also a delight, with a retro merry-go-round and a truly life-affirming pistachio ice cream. Or you could go for salted caramel flavour, made from the famous fleur de sel cultivated in the island’s salt marshes.
Past the marshes and right across to Île de Ré’s most westerly point sits the island’s lighthouse. The Phare des Baleines is named after whales that have washed up on its shore in the past.
While I'm standing at the top of its 57-metre-high tower, admiring the far-reaching views of the Atlantic, two spitfires come roaring past at eye level. Witnessing this is an invigorating, unforgettable experience – much like island life itself.
The Time of Their Lives is on digital download from 17 July and on DVD from 31 July
Sunday, July 16, 2017
FILM FLASHBACK : RALLY ROUND THE FLAG BOYS! .. 1958 .. FOX ..
This comedy from 1958 features Joan with good friends Paul Newman & Joanne Woodward.. Read more in my film archive!
50's Focus : Rally Round The Flag Boys! .. 1958 .. FOX ..
50's Focus : Rally Round The Flag Boys! .. 1958 .. FOX ..
Thursday, July 13, 2017
PRESS UPDATE : FEMAIL.AU ... JOAN COLLINS / THE TIME OF THEIR LIVES .. AUGUST 2017...
Joan Collins The Time of Their Lives Interview

Joan Collins The Time of Their Lives Interview
Cast: Joan Collins, Pauline Collins, Franco Nero
Director: Roger Goldby
Genre: Comedy
Rated: M
Running Time: 104 Minutes
Synopsis: Determined to gate-crash her ex-lover's funeral on the glamorous French hideaway of Îe-de-Ré, former Hollywood siren Helen (Joan Collins) escapes her London retirement home with the help of Priscilla (Pauline Collins), a repressed English housewife stuck in a dwindling marriage.
Pooling their limited resources, they hit the road in a race to get to Îe-de-Ré, becoming entangled in a love triangle with a reclusive Italian millionaire (Franco Nero) along the way. On this unforgettable journey, they find true friendship in one another and have the time of their lives.
The Time of Their Lives
Release Date: August 10th, 2017
Trailer
Director: Roger Goldby
Genre: Comedy
Rated: M
Running Time: 104 Minutes
Synopsis: Determined to gate-crash her ex-lover's funeral on the glamorous French hideaway of Îe-de-Ré, former Hollywood siren Helen (Joan Collins) escapes her London retirement home with the help of Priscilla (Pauline Collins), a repressed English housewife stuck in a dwindling marriage.
Pooling their limited resources, they hit the road in a race to get to Îe-de-Ré, becoming entangled in a love triangle with a reclusive Italian millionaire (Franco Nero) along the way. On this unforgettable journey, they find true friendship in one another and have the time of their lives.
The Time of Their Lives
Release Date: August 10th, 2017
Trailer
Interview with Joan Collins
Dame Joan Collins stars as Helen in Time of their Lives from writer-director Roger Goldby. Helen is a former film star now living in a British care home who decides to use a trip to the seaside as a platform for an escape to France, where she'll attend the funeral of an old flame. She persuades Priscilla (Pauline Collins) to join her on her journey " a decision that sets in motion a road trip through the French countryside with romantic interludes and a discovery that will ultimately change both women's lives forever…
Question: What can you tell us about your character, Helen?
Joan Collins: Helen was a very successful actress for a brief time in the 1960s and then she had a baby, which in the mid-'60s was quite a felony [for an actress]! It would have wrecked her career so she gave it away to somebody. Because of that, she has spent the rest of the next 20 years really going off the rails. We don't specify this in the picture particularly, but by the time you meet Helen she has quite destroyed her life. From being a big star in the 1960s she is now a broken woman, really, and she has come back to England because she wanted to have a hip replacement on the NHS. And she feels that she has one opportunity to regain some semblance of real life, which is to reconnect with the daughter that she hasn't seen for 50 years.
Question: So she is attending a funeral in France because she knows her daughter will be there?
Joan Collins: Yes. She reads in the paper of the death of a director, who was her lover, and who also directed the film that made her a star. It was a cult film. I would say something like When Harry Met Sally, that kind of a film. It is called Morty And Me but because of that loss of her child, she just took to drink and drugs and men and she never married again, never had any more children, and she really became unemployable. So that is where she is when we meet her at the start of the film. Then she reads in the paper that Jerry [the director] has died, the love of her life, the father of her child and the man to whom she gave the child. So she decides to go and try and meet the daughter.
Question: Is it a redemptive story?
Joan Collins: Yes, I would say so. She is slightly crippled because of her hip. She has to walk with a stick, which I do through the first half of the film. And if you are not thinking about the pain it gets better. She realizes that she has got to have an accomplice to get to France, which is very difficult for her, and my story is basically how these two women go about that. She meets up with Priscilla [Pauline Collins] who is verbally and psychologically abused [by her husband]. And Priscilla becomes her accomplice as they make their way across France to get to this funeral in time for Helen to see and hopefully meet up with her daughter. Helen hopes that her daughter will love her, which is a bit of a fantasy, of course. She is very vulnerable because she is very hard on the outside. She's just a great character to play. Roger [Goldby] has written a fabulous, fabulous part, not just for me but for Pauline as well. They are two great parts for women.
Question: That's quite rare…
Joan Collins: They don't write women's parts like this. They really don't. The two leading characters are female and I think the last film like this was Thelma & Louise. I said this is like Thelma & Louise: the next generation, or Trains, Planes and Automobiles because we are in coaches, in hired cars, in broken down jalopies as we try and get to the funeral. It is a very good plot. It is a really fun movie and it very poignant. It is also very funny. There is a lot of comedy.
Question: Do you have strong female friendships in your own life, stretching back over the years?
Joan Collins: Oh yes. They are both called Judy, my two best friends. When I first went to Hollywood when I was 21 my agent was called Jay Kanter and his wife was Judy Balaban, who was the daughter of the man who ran Paramount. I adored this woman and she was very knowledgeable about everything, like menus and flowers and social dressing, all of the things that I really didn't know a lot about at 21, even though I had been an actress for four years. We became great friends and she's still my friend and we see each other whenever I am in LA and we text each other. My really best friend is another Judy I met when I made Can Heironymus Merkin Ever Forget Mercy Humppe and Find True Happiness? That was a movie that was written, created and starred my ex-husband, Anthony Newley, and me. His secretary " we call them PAs now " was called Judy who was this nice English girl from Golders Green. We became close friends and have stayed as close as we possibly could be. She lives in Las Vegas now but I see her all the time. She's flying over to come to her daughter's wedding in August. My daughter was a flower girl at her wedding. We are very close but I have a lot of other friends, and a lot of gay friends.
Question: Are you a woman's woman?
Joan Collins: I am both. I am a woman's woman and a man's woman. I don't differentiate.
Question: Is there a contrast between Helen and Priscilla in this film? In Thelma & Louise, for example, Susan Sarandon is very strong and Geena Davis is rather ditsy…
Joan Collins: We are not the same characters by any means. Obviously, I am the stronger because I am the one who persuades her to get away from the abusive husband, who I call -the Devil'. He destroys her over a packet of biscuits in the Co-op. Really, I kidnap her and get her on the coach with me with all the OAPs to get through customs and into France.
Question: You did a Tales Of The Unexpected with Pauline many years ago. Did you reminisce about that or have you seen one another over the years?
Joan Collins: We haven't crossed paths that much. Shortly after that [Tales of the Unexpected] I went to Hollywood. When you think of all the people you work with, you very rarely form lasting relationships with any of them. But whenever Pauline and I have seen each other, it's always been, -Hello, darling, how are you?' When I became a Dame last year I had a party at Claridges and I invited Pauline and John [Alderton, her husband], so we did see each other. She is a wonderful actress. I suggested her to Roger because Roger came to me with this script five years ago and we talked about various actresses. I won't tell you who the others were. But I suggested Pauline and he said that was a great idea.
Question: What made you think about her specifically?
Joan Collins: I just thought of her when I read it. I thought, -This part is for you.' Priscilla is Pauline. I thought of a couple of other people, too. But I just thought that she would be perfect. Pauline is such a wonderful actress and so expressive and such a nice person and down to earth.
Question: And Helen, your character, is quite strong?
Joan Collins: Yes. She's strong but she's very vulnerable and she gets hurt a hell of a lot in this film. She gets rejected and hurt and stung. People are quite horrible to her.
Question: When we first meet her is she presented as glamorous?
Joan Collins: No. She is not glamorous at all. I am wearing a hideous wig. Without a doubt it is the most hideous wig that has ever been created! When you first see her she is in a retirement home looking at a picture of herself in 1965, looking very pretty and she has this wig that she puts on trying to look like she did in 1965. Except she doesn't. It is a disaster. But I braved it through!
Question: Have you enjoyed working with Franco Nero on the film because you two go back quite a long way?
Joan Collins: I love Franco. I met Franco a hundred years ago when he was doing Camelot and he was lovely. I am yet to do my big scene with him. I have just done one scene, in the car, with him. He is really nice.
Question: Is there a freedom that comes with aging? People often say what they think, and stop worrying…
Joan Collins: I have never been much of a worrier, to tell you the truth. My main worries in my life have been my children. I worry about them all the time. I always have, and I always will. If I haven't heard from my daughter Katy who is in Boston " if I haven't had a text or an email from her for two days, I get worried. I have never particularly worried about what people think. I suppose I do worry about it less now but it has never been a big thing in my life. I have always faced my fair share of criticism whether it's my heels are too high, my lips are too red, my shoulders are too wide, my acting is too broad. Whatever it is, you get used to that and then you just let it roll over you.
Question: Young actors today find that social media scrutiny is unbearable. Does that affect you?
Joan Collins: I do not Google myself at all, not ever. I am on Twitter and Instagram and I am on Facebook, mostly because it is quite fun. I don't take any notice [of the bad remarks]. I haven't had many trolls, just a couple of times but nothing specifically damaging. I mentioned Donald Trump, which appeared in an article years and years ago. I'd said that I had partially based my character Alexis [from Dynasty] on a mixture of Donald Trump and my best friend at the time. Nobody took any notice of that for years and years. Now, of course, it makes headlines: -Joan Collins is supporting Trump.' I didn't say that! But I do think it must be hell to be a young actress who tries to keep a low profile, like that girl who was the female lead in Jason Bourne.
Question: You mean Alicia Vikander…
Joan Collins: Yes. She's a wonderful actress and you do not read that much about her. I think she is being very clever. I think that people become so over-exposed on social media that it is ludicrous. The constant barrage of selfies is so utterly narcissistic, isn't it? To be that narcissistic as an actor really takes away from being a good actor because you are always thinking about what people think. -Are they looking at my selfies?' -How many followers do I have?' -God, she's got more than me. She has got 17 million and I have only got 16 million…'
Question: Social media is also very hard on children, isn't it?
Joan Collins: My grandchildren don't do it. They're two 12-year-olds and one 17-year-old. They do other things but I don't think they Tweet and things like that. It is obsessive. For me, I wanted to put up a few pictures from The Time of Their Lives because I have enjoyed it so much. It has been such a life-giving experience. The cast is fabulous, the crew is wonderful, and Roger is great. He is a really, really good, intelligent clever director who I really respect.
Question: You mentioned Alexis. Even though that was a while ago do you find that people still want to talk about that show and that character?
Joan Collins: All the time. You are talking about it now (laughs)! Yes, I do find that, and I think that it's great that they do. It's flattering as an actor to be remembered for something that actually finished in '92. That's 24 years ago. But it's been constantly replayed and replayed. They are still selling the DVDs. They have only just brought out Season 8 on DVD. They have been rationing it. Someone has been making a shit load of money, and it's not me!
Question: One of my favourite films is Sea Wife. What do you remember about that era of filmmaking and Richard Burton?
Joan Collins: That was an era of filmmaking when quite a few of the leading men deemed it their divine right to sleep with the leading lady. And if you didn't, they really sent you to Coventry. It happened to me on at least four films
Question: To which leading men are you referring?
Joan Collins: Well, Richard Burton for one. George Peppard, Gene Barry. Richard Todd. They are all dead now.
Question: So you turned them down and they punished you for it?
Joan Collins: Yes. They wouldn't talk to me. George Peppard didn't speak to me at all. It was really sad. I am talking now about the '50s, '60s and '70s. I have made 62 films so I have been in a lot of films with a lot of leading men and certainly the scene has changed. A lot of them were just predatory. We were fair game, pretty young girls. -Let's go fish them out.' It was the same thing in the Hollywood studios in the '50s. It was not just me. It was every pretty young girl. A lot of them succumbed.
Question: Do you think there are too few working class actors?
Joan Collins: No, I think if you have talent it is going to come through. If you have been brought up in a council house or whatever, if you really care about wanting to be an actor, you will do whatever you can. You will join an amateur dramatic society, go and form a group and do Shakespeare. My granddaughter is doing that. She is 17 and wants to be an actor. She's been to the Edinburgh Festival. She has played Ophelia. She's played all of Shakespeare's heroines and the heroes as well. She really wants to do it and she is studying hard. I am amazed sometimes when I talk to actors, not even the young ones, and I mention Lawrence Olivier and they say, -Who is Lawrence Olivier?' I am not kidding. Often, I think young people believe that being an actor or an actress is a very glamorous profession and it is all about swanning around in couture frocks on the red carpet. That is just the teeny cherry on the top. Wonderful actresses like Nicole Kidman and Julianne Moore work their butts off doing really good work. It's not an easy profession but it is very rewarding.
Question: Is there anyone you still want to work with?
Joan Collins: I have always wanted to work with Woody Allen. I met him a long time ago, 30 years ago. I had just read an article about him in Esquire and it talked about his shyness. I was at this party. I was wearing quite a close-cut dress and I went over to him and I said, -Mr. Allen, I just want to say I identified with you when I read your article because I am shy, too.' He looked at my cleavage and said, -You could have fooled me!' (laughs) But I can't wait to see his new film, Café Society. I love the way that he lets actors do their thing; apparently he doesn't direct them. I love all his films. I know that they're not huge box office smashes but I love them. I would like to work with Tom Hooper, too.
Question: It is surprising how many actors say they got into acting because they were shy…
Joan Collins: It is true because you hide yourself in a character. I am not like Alexis Carrington but I did such a good job that everybody still thinks I am just like her! She would never eat a croissant like I am doing right now!
Question: What can you tell us about your character, Helen?
Joan Collins: Helen was a very successful actress for a brief time in the 1960s and then she had a baby, which in the mid-'60s was quite a felony [for an actress]! It would have wrecked her career so she gave it away to somebody. Because of that, she has spent the rest of the next 20 years really going off the rails. We don't specify this in the picture particularly, but by the time you meet Helen she has quite destroyed her life. From being a big star in the 1960s she is now a broken woman, really, and she has come back to England because she wanted to have a hip replacement on the NHS. And she feels that she has one opportunity to regain some semblance of real life, which is to reconnect with the daughter that she hasn't seen for 50 years.
Question: So she is attending a funeral in France because she knows her daughter will be there?
Joan Collins: Yes. She reads in the paper of the death of a director, who was her lover, and who also directed the film that made her a star. It was a cult film. I would say something like When Harry Met Sally, that kind of a film. It is called Morty And Me but because of that loss of her child, she just took to drink and drugs and men and she never married again, never had any more children, and she really became unemployable. So that is where she is when we meet her at the start of the film. Then she reads in the paper that Jerry [the director] has died, the love of her life, the father of her child and the man to whom she gave the child. So she decides to go and try and meet the daughter.
Question: Is it a redemptive story? Joan Collins: Yes, I would say so. She is slightly crippled because of her hip. She has to walk with a stick, which I do through the first half of the film. And if you are not thinking about the pain it gets better. She realizes that she has got to have an accomplice to get to France, which is very difficult for her, and my story is basically how these two women go about that. She meets up with Priscilla [Pauline Collins] who is verbally and psychologically abused [by her husband]. And Priscilla becomes her accomplice as they make their way across France to get to this funeral in time for Helen to see and hopefully meet up with her daughter. Helen hopes that her daughter will love her, which is a bit of a fantasy, of course. She is very vulnerable because she is very hard on the outside. She's just a great character to play. Roger [Goldby] has written a fabulous, fabulous part, not just for me but for Pauline as well. They are two great parts for women.
Question: That's quite rare…
Joan Collins: They don't write women's parts like this. They really don't. The two leading characters are female and I think the last film like this was Thelma & Louise. I said this is like Thelma & Louise: the next generation, or Trains, Planes and Automobiles because we are in coaches, in hired cars, in broken down jalopies as we try and get to the funeral. It is a very good plot. It is a really fun movie and it very poignant. It is also very funny. There is a lot of comedy.
Question: Do you have strong female friendships in your own life, stretching back over the years?
Joan Collins: Oh yes. They are both called Judy, my two best friends. When I first went to Hollywood when I was 21 my agent was called Jay Kanter and his wife was Judy Balaban, who was the daughter of the man who ran Paramount. I adored this woman and she was very knowledgeable about everything, like menus and flowers and social dressing, all of the things that I really didn't know a lot about at 21, even though I had been an actress for four years. We became great friends and she's still my friend and we see each other whenever I am in LA and we text each other. My really best friend is another Judy I met when I made Can Heironymus Merkin Ever Forget Mercy Humppe and Find True Happiness? That was a movie that was written, created and starred my ex-husband, Anthony Newley, and me. His secretary " we call them PAs now " was called Judy who was this nice English girl from Golders Green. We became close friends and have stayed as close as we possibly could be. She lives in Las Vegas now but I see her all the time. She's flying over to come to her daughter's wedding in August. My daughter was a flower girl at her wedding. We are very close but I have a lot of other friends, and a lot of gay friends.
Question: Are you a woman's woman? Joan Collins: I am both. I am a woman's woman and a man's woman. I don't differentiate.
Question: Is there a contrast between Helen and Priscilla in this film? In Thelma & Louise, for example, Susan Sarandon is very strong and Geena Davis is rather ditsy…
Joan Collins: We are not the same characters by any means. Obviously, I am the stronger because I am the one who persuades her to get away from the abusive husband, who I call -the Devil'. He destroys her over a packet of biscuits in the Co-op. Really, I kidnap her and get her on the coach with me with all the OAPs to get through customs and into France.
Question: You did a Tales Of The Unexpected with Pauline many years ago. Did you reminisce about that or have you seen one another over the years?
Joan Collins: We haven't crossed paths that much. Shortly after that [Tales of the Unexpected] I went to Hollywood. When you think of all the people you work with, you very rarely form lasting relationships with any of them. But whenever Pauline and I have seen each other, it's always been, -Hello, darling, how are you?' When I became a Dame last year I had a party at Claridges and I invited Pauline and John [Alderton, her husband], so we did see each other. She is a wonderful actress. I suggested her to Roger because Roger came to me with this script five years ago and we talked about various actresses. I won't tell you who the others were. But I suggested Pauline and he said that was a great idea.
Question: What made you think about her specifically?
Joan Collins: I just thought of her when I read it. I thought, -This part is for you.' Priscilla is Pauline. I thought of a couple of other people, too. But I just thought that she would be perfect. Pauline is such a wonderful actress and so expressive and such a nice person and down to earth.
Question: And Helen, your character, is quite strong?
Joan Collins: Yes. She's strong but she's very vulnerable and she gets hurt a hell of a lot in this film. She gets rejected and hurt and stung. People are quite horrible to her.
Question: When we first meet her is she presented as glamorous?
Joan Collins: No. She is not glamorous at all. I am wearing a hideous wig. Without a doubt it is the most hideous wig that has ever been created! When you first see her she is in a retirement home looking at a picture of herself in 1965, looking very pretty and she has this wig that she puts on trying to look like she did in 1965. Except she doesn't. It is a disaster. But I braved it through!
Question: Have you enjoyed working with Franco Nero on the film because you two go back quite a long way? Joan Collins: I love Franco. I met Franco a hundred years ago when he was doing Camelot and he was lovely. I am yet to do my big scene with him. I have just done one scene, in the car, with him. He is really nice.
Question: Is there a freedom that comes with aging? People often say what they think, and stop worrying…
Joan Collins: I have never been much of a worrier, to tell you the truth. My main worries in my life have been my children. I worry about them all the time. I always have, and I always will. If I haven't heard from my daughter Katy who is in Boston " if I haven't had a text or an email from her for two days, I get worried. I have never particularly worried about what people think. I suppose I do worry about it less now but it has never been a big thing in my life. I have always faced my fair share of criticism whether it's my heels are too high, my lips are too red, my shoulders are too wide, my acting is too broad. Whatever it is, you get used to that and then you just let it roll over you.
Question: Young actors today find that social media scrutiny is unbearable. Does that affect you?
Joan Collins: I do not Google myself at all, not ever. I am on Twitter and Instagram and I am on Facebook, mostly because it is quite fun. I don't take any notice [of the bad remarks]. I haven't had many trolls, just a couple of times but nothing specifically damaging. I mentioned Donald Trump, which appeared in an article years and years ago. I'd said that I had partially based my character Alexis [from Dynasty] on a mixture of Donald Trump and my best friend at the time. Nobody took any notice of that for years and years. Now, of course, it makes headlines: -Joan Collins is supporting Trump.' I didn't say that! But I do think it must be hell to be a young actress who tries to keep a low profile, like that girl who was the female lead in Jason Bourne.
Question: You mean Alicia Vikander…
Joan Collins: Yes. She's a wonderful actress and you do not read that much about her. I think she is being very clever. I think that people become so over-exposed on social media that it is ludicrous. The constant barrage of selfies is so utterly narcissistic, isn't it? To be that narcissistic as an actor really takes away from being a good actor because you are always thinking about what people think. -Are they looking at my selfies?' -How many followers do I have?' -God, she's got more than me. She has got 17 million and I have only got 16 million…'
Question: Social media is also very hard on children, isn't it?
Joan Collins: My grandchildren don't do it. They're two 12-year-olds and one 17-year-old. They do other things but I don't think they Tweet and things like that. It is obsessive. For me, I wanted to put up a few pictures from The Time of Their Lives because I have enjoyed it so much. It has been such a life-giving experience. The cast is fabulous, the crew is wonderful, and Roger is great. He is a really, really good, intelligent clever director who I really respect.
Question: You mentioned Alexis. Even though that was a while ago do you find that people still want to talk about that show and that character?
Joan Collins: All the time. You are talking about it now (laughs)! Yes, I do find that, and I think that it's great that they do. It's flattering as an actor to be remembered for something that actually finished in '92. That's 24 years ago. But it's been constantly replayed and replayed. They are still selling the DVDs. They have only just brought out Season 8 on DVD. They have been rationing it. Someone has been making a shit load of money, and it's not me!
Question: One of my favourite films is Sea Wife. What do you remember about that era of filmmaking and Richard Burton? Joan Collins: That was an era of filmmaking when quite a few of the leading men deemed it their divine right to sleep with the leading lady. And if you didn't, they really sent you to Coventry. It happened to me on at least four films
Question: To which leading men are you referring?
Joan Collins: Well, Richard Burton for one. George Peppard, Gene Barry. Richard Todd. They are all dead now.
Question: So you turned them down and they punished you for it?
Joan Collins: Yes. They wouldn't talk to me. George Peppard didn't speak to me at all. It was really sad. I am talking now about the '50s, '60s and '70s. I have made 62 films so I have been in a lot of films with a lot of leading men and certainly the scene has changed. A lot of them were just predatory. We were fair game, pretty young girls. -Let's go fish them out.' It was the same thing in the Hollywood studios in the '50s. It was not just me. It was every pretty young girl. A lot of them succumbed.
Question: Do you think there are too few working class actors?
Joan Collins: No, I think if you have talent it is going to come through. If you have been brought up in a council house or whatever, if you really care about wanting to be an actor, you will do whatever you can. You will join an amateur dramatic society, go and form a group and do Shakespeare. My granddaughter is doing that. She is 17 and wants to be an actor. She's been to the Edinburgh Festival. She has played Ophelia. She's played all of Shakespeare's heroines and the heroes as well. She really wants to do it and she is studying hard. I am amazed sometimes when I talk to actors, not even the young ones, and I mention Lawrence Olivier and they say, -Who is Lawrence Olivier?' I am not kidding. Often, I think young people believe that being an actor or an actress is a very glamorous profession and it is all about swanning around in couture frocks on the red carpet. That is just the teeny cherry on the top. Wonderful actresses like Nicole Kidman and Julianne Moore work their butts off doing really good work. It's not an easy profession but it is very rewarding.
Question: Is there anyone you still want to work with?
Joan Collins: I have always wanted to work with Woody Allen. I met him a long time ago, 30 years ago. I had just read an article about him in Esquire and it talked about his shyness. I was at this party. I was wearing quite a close-cut dress and I went over to him and I said, -Mr. Allen, I just want to say I identified with you when I read your article because I am shy, too.' He looked at my cleavage and said, -You could have fooled me!' (laughs) But I can't wait to see his new film, Café Society. I love the way that he lets actors do their thing; apparently he doesn't direct them. I love all his films. I know that they're not huge box office smashes but I love them. I would like to work with Tom Hooper, too.
Question: It is surprising how many actors say they got into acting because they were shy…
Joan Collins: It is true because you hide yourself in a character. I am not like Alexis Carrington but I did such a good job that everybody still thinks I am just like her! She would never eat a croissant like I am doing right now!
Wednesday, July 12, 2017
PRESS UPDATE : THE HOLLYWOOD REPORTER .. KENNETH JAY LANE / FABULOUSLY FAKE! .. JULY 12 2017 ..
JEWELRY DESIGNER KENNETH JAY LANE DOC IN THE WORKS -
by Stephanie Chan
Audrey Hepburn, Elizabeth Taylor and Jackie Kennedy were among the famous women to have worn the designer's exquisite costume jewelry.
Famed American costume jewelry designer Kenneth Jay Lane is taking his story to the silver screen.
Fabulously Fake: The Real Life of Kenneth Jay Lane tells the story of the jeweler's illustrious 50-year career, featuring interviews with some of his closest friends, including former first lady Barbara Bush, dame Joan Collins, designers Tory Burch and Diane von Furstenberg, and celebrity couple Anne and Kirk Douglas, to name a few.
British filmmaker Gisele Roman wrote, produced and directed the film, which has yet to find a distributor. Roman will be taking the doc on the film festival circuit this fall; it's projected to air in early 2018.
![]() |
| Joan with Kenneth in 2002 at Star Quality launch party in New York |
"Kenneth Jay Lane is a non-conformist who changed the perception of the establishment towards costume jewelry. He even got the Duchess of Windsor and a host of British royals to wear costume jewelry, unheard of at the time," says Roman. "His designs still define the modern era and he continues to work at 85!"
Lane was born in Detroit, Michigan on April 22, 1932, and attended the University of Michigan and the Rhode Island School of Design. Before launching his jewelry business, Lane had a stint in Vogue's art department and designed shoes under Roger Vivier at Christian Dior and Arnold Scaasi. While decorating jewels on footwear, Lane started experimenting with jewelry design.
By 1969, he launched his own line of costume jewelry and garnered fans in the Duchess of Windsor, who is said to have launched his career by recommending him to to her friends, and legendary fashion editor Diana Vreeland. Former first ladies Jackie Kennedy and Nancy Reagan; iconic stars Elizabeth Taylor and Audrey Hepburn; and Princess Diana were also among his famous clients.
In the film, Collins recalls a time when she was stopped at customs with her KJL jewels and even the customs official couldn't stop complimenting her about the baubles. "I was going through customs in Mexico — I keep all my jewelry in a box in my wheely, and the customs man saw it and said 'Let me open it, let me see it.' He looked at it and I said, 'Can we go into a private room? Because I don't want people to see it,' even though it wasn't real," says Collins. "We went into the private room, and the customs man is picking it up and said, 'Very nice, these earrings very good.' Finally, I said, 'It's not real you know, it's not diamonds and gold and rubies, it’s faux jewelry. And finally he closed it and said 'you have very nice stuff here!'"
Designer Carolina Herrera, who's also featured in the film, remembers a time when there was a robbery during a friend's dinner party in Caracas, Venezuela, and the KJL gems were the biggest concern. "We were at the home of a friend of mine who has a lot of jewels, and during dinner the butler came to say there'd been a burglary in the house, and they were very concerned about it because it had been upstairs. Her only reaction was, 'Oh, gosh! I hope they didn’t take any of my Kenny Lanes!'"
At age 85, Lane doesn't seem to have plans to slow down. In addition to the doc, he tells The Hollywood Reporter he's been focused on his e-comm site, which offers affordable tassel earrings, pearl necklaces, bold cuffs, embellished brooches and cocktail rings.
Tuesday, July 11, 2017
PHOTO UPDATE : IT'S SEASONALLY SUMMER FOR THE LADIES WHO LUNCH!
PHOTO UPDATE : PARTIES ARE ALWAYS TIME FOR A PERFORMANCE!
Joan recently attended the 30th Anniversary party in Austria of The Glock Horse Performance Centre who were celebrating 30 years.. Joan was one of many VIP guests who had previously attended events there including some of those featured in the photo including Rupert Everett, Chuck Norris, Mariah Carey and John Travolta among others..
Sunday, July 9, 2017
FILM FLASHBACK : THE BRAVADOS .. 1958 .. FOX ..
Joan teamed up with Gregory Peck for this western from 1958.. Read more about this release in my film archive here!!
50'S FOCUS : THE BRAVADOS .. 1958 . FOX ..
50'S FOCUS : THE BRAVADOS .. 1958 . FOX ..
PHOTO UPDATE : OSCAR TALK IS ALWAYS AN AWARDING EXPERIENCE FOR JOAN!
One of the few awards that Joan has yet to receive is an Oscar, however she is a member of the Academy and has been since her days at Fox... For an upcoming UNICEF documentary about the Oscars, she spoke to Geoffrey Moore, whose dad was of course the late Roger Moore and who was a tireless Ambassador for the charity.. Watch this space!
PHOTO UPDATE : SUMMER MEANS WINING & DINING IN STYLE FOR JOAN!
Joan looking sensational as she chats with comedian David Walliams during a vip lunch at Hampton Court..
Tuesday, July 4, 2017
FILM FLASHBACK : STOPOVER TOKYO .. 1957 .. FOX ..
Another of Joan's Fox film's is this thriller co-starring Robert Wagner.. Read more in my Film archive post..
50'S FOCUS : STOPOVER TOKYO .. 1957 FOX ..
50'S FOCUS : STOPOVER TOKYO .. 1957 FOX ..
Monday, July 3, 2017
PHOTO UPDATE : MIXING WITH FRIENDS IS ALL THAT MATHIS!!
Joan catches up with good friend music mogul Clive Davis at a party to launch Johnny Mathis's new album 'The Great American New Songbook', a project created by Clive..
Sunday, July 2, 2017
PRESS UPDATE : FABULOUS / THE SUN ON SUNDAY .. JULY 2ND 2017 ..
Dame Joan Collins denies having had surgery and reveals the secrets to her age-defying appearance
The glamorous actress also talks sexism, surviving Hollywood and why she advised god-daughter Cara Delevingne against becoming an actress
EXCLUSIVE
By Natalie Edwards
DAME Joan Collins knows how to turn heads.
The private section of the art-deco restaurant at London’s five-star hotel Claridge’s is one of her favourite spots (and is naturally reserved for very VIPs), so she knows exactly where to go for our post-shoot interview.
But as the glamorous actress gracefully sashays her way through the packed dining room, she doesn’t appear to notice the effect she has on her fellow diners.
She leaves them open-mouthed and in no doubt that, yes, she really does look that good in the flesh. The octogenarian is clear, though, that her age-defying appearance is natural.
“If people want to think I’ve had surgery, then…” she shrugs.
“You can tell [I haven’t] because I have lines and jowls. When I see women around my age I think: ‘Oh, really? My gosh, I look quite a bit…’ I think I look pretty good!”
She sure does. Her bouffant hair is immaculately coiffed and her face doesn’t show any telltale signs of being touched by a surgeon’s scalpel, even though she could easily pass for someone 25 years younger.
Famously, Joan is a huge advocate of keeping her skin out of the sun.
“Also not putting on weight – it’s fatal. I have this [she grabs her lower stomach] and can’t get rid of it. It doesn’t matter what I do. I have a trainer who comes over and I do stretches and lunges. We don’t do anything too strenuous because I don’t believe in ‘no pain no gain’.”
Dame Joan – who insists we call her Joan minutes into our chat – has been defying expectations since she made her stage debut in 1942 aged nine – despite her own father, talent agent Joseph Collins, warning she’d be “washed-up” by 23.
“That was the thinking in the ‘50s,” she laughs.
“When I was 21 I was put under contract at 20th Century Fox for seven years, because 27 or 28 was considered to be the cut-off time for the beauty and youth of girls.”
Fortunately, Joan proved both her dad and the male studio bosses wrong and secured her star status by appearing in 70 films to date, as well as featuring in a host of high-profile TV shows including Star Trek and Will & Grace.
But during her time in the industry the star has also faced uphill battles, from escaping predatory film-makers and being pressured into taking weight-loss pills to fighting for equal pay.
However, the challenges have only made her more determined, and standing by her strong views has paid off. At an age when most actresses have long been forgotten, she is a star even bigger than the shoulder pads sported by her most iconic character, society super-bitch Alexis Colby on American soap opera Dynasty.
“I’m in a business where it’s survive or die, and I went through the jungle alone. I didn’t have a mentor or the world’s greatest agent looking after me,” she says matter-of-factly
“There are older-women parts, but quite frankly they’re going to go first of all to Judi Dench, Maggie Smith, Helen Mirren, Meryl Streep or Susan Sarandon. There are 20 women they’re going to go through before they get to me.”
That certainly wasn’t the case when she appeared in Thelma & Louise-style rom-com The Time of Their Lives out on DVD this month, after director Roger Goldby wrote it with Joan in mind.
Billed as a “feel-good OAP romp”, Joan plays faded Hollywood sex siren Helen, who is desperate to reclaim the spotlight.
“It’s got a great honesty about it. Fame is totally fleeting, and that’s one of the things I learned very early on. It casts a light on the misery of celebs as they get older. At fan conventions you see people you haven’t heard of for 30 or 40 years selling their photographs. You’re like: ‘That’s so and so, they were so beautiful,’ and now they’re absolutely unknown. They love the fame, and unfortunately it’s gone.”
Joan is well aware that she has broken the usual actress trajectory and knows how pitifully rare this kind of movie is – the three main stars have a combined age of 235
“Today, big-budget films are made by big businesses, and all of the companies have one motive in mind – to make money,” she explains.
“Their audience is mostly young men between the ages of 12 and 28 and they want to see young, nubile girls.
“I know quite a few young actresses in LA and work out with a couple of them in the gym. I say: ‘You’re so thin and you’re 25. What are you doing?’ This particular actress who is very well-known said: ‘I have to look thin. That’s what the directors want when I audition.’ If you’re over 71/2st or 8st, forget it, you’re considered fat.”
It’s one of the reasons why Joan advised her god-daughter, model Cara Delevingne, 24, not to become an actress, as she knows the pressures of losing weight as a young woman in Hollywood. She recounts an experience she had in her 20s when she weighed 9st and was told to lose 8lb.
“I was sent to a studio doctor as they thought I was too fat. He gave me these little green pills to take every morning, which I did, but then I couldn’t sleep at night so he gave me sleeping pills.
“I had a boyfriend at the time who was married – it’s the only time I’ve had a married boyfriend and it’s a misery, so I don’t advise anybody to do it – and he said: ‘What are you doing?’
“I told him that I took the pills and it was fabulous because I hardly ever ate and lost half a stone. He said: ‘These are [ADHD and narcolepsy drug] Dexedrine and are poison.’ He threw them down the loo and said not to ever take them again.
“I did some research and found out they’re what destroyed Judy Garland. So many in my profession have been destroyed by drugs, and it’s the rare actor who doesn’t get consumed by them.”
Fortunately Joan is a rarity. She swore off drugs after she says she was once forced to take cocaine at a party during the late ‘60s.
But having successfully swerved the pressure to fit the Hollywood mould, the beautiful young actress soon found herself being preyed on by the powerful men of the movie world.
“It started off being a fight at 17 – producers, directors, actors and heads of studios all wanting to take a piece of you, if you know what I mean. It was very predatory, and so many were like that. After talking to other young actresses at the time, we just accepted that’s the way men were.
“It was nothing for a man to pinch your bottom or push your hair back and say: ‘You’re such a cute little thing.’ You grinned and bore it and pushed it to the back of your mind. It even happened at school – a pastor put his hand on my thigh and stroked it. But you didn’t think ‘dirty old man’ and report him to your mother. That’s what they were like. Sorry men!”
Joan is relieved that female empowerment means that times have changed, but she does question whether it has come at a cost to men.
“I think we’ve lost men being gallant – opening doors, carrying our parcels, helping put our bags into the plane’s overhead lockers. I think there’s been over-militancy with some women and it’s turned men off. But I don’t want to get hate mail, so let’s move on.”
Moving swiftly on is the attitude that Joan has successfully employed for her entire career. As she grew older she refused to ever be forced into submission again and instead became a trailblazer.
At a time when it wasn’t wholly accepted for women to speak out, Joan fought Dynasty bosses to make Alexis (who she based on Donald Trump) fashionable, swapping tame tweed suits and blouses for flamboyant Yves Saint Laurent gowns.
![]() |
| Joan with The Sun's Natalie Edwards |
Before Joan, the show’s ratings were unimpressive, but when she joined for the second series in 1981, everything changed. By 1985 Dynasty was the No.1 show in America and had won five Golden Globes.
It’s not hard to see why Alexis’ ultra-glam frocks and catfights with rival Krystle Carrington (played by Linda Evans) – including that spat in the lily pond – became the stuff of small-screen legend and made millions tune in for the seven years it ran.
But on learning that her co-star John Forsythe, who played on-screen ex-husband Blake Carrington, was being paid around £8,000 more an episode, she went to bosses and demanded she too should earn £39,000.
“I was told: ‘You’ve got ideas above your station and we’re not going to have you back.’ So I said fine and went off to Paris. I wasn’t in the first episode of season three because I was holding out for more money because I felt I deserved it.
“People say: ‘Why did you do Playboy?’ [Joan posed topless aged 50 in 1983] and I say: ‘Because I got paid for the first time ever!’ I was on the cover of every other magazine and you don’t get paid for that.”
Joan swiftly returned to Dynasty after having her pay increased to match her co-star’s. But did making her opinions heard ever cause problems?
“Yes, I got a lot of flack and hate mail. [People thought playing Alexis] was what I was really like, which of course it isn’t.”
Like Alexis, Joan has also developed a reputation – unfairly – as a maneater. She’s been married five times, most enduringly to Percy Gibson and the couple recently celebrated their 15th anniversary.
“I have a great husband and am so lucky. My god, you know in Hollywood this is a record? No one has been married for 15 years!” she laughs.
They met when theatre producer Percy worked on Joan’s Love Letters tour in 2000, and began a relationship 10 months later. Inevitably eyebrows were raised about their 32-year age gap.
“What’s interesting is both our fathers were born within three years of each other. We have very similar outlooks, even though he’s younger than me. There’s a stigma, but very rarely do the press mention it now. It doesn’t bother us at all. He’s always had a mature look, so if you see pictures of us together it doesn’t look like there’s this huge age difference.”
Talking about her beloved Percy is when Joan is at her most relaxed, and it’s clear that she’s besotted. What’s more, we’re in the hotel where they tied the knot in 2002.
“I love his sense of humour. He’s incredibly kind, nice and caring. It doesn’t mean that we don’t bicker and argue. And he smokes! But I’m not going to stop him. Other than that, we’re very happy. We talked about the fact when we got together, you know: ‘Do you want to have kids?’ He didn’t, which is great. He’s not a huge fan of children.”
Joan has two children – Tara and Alexander from her second marriage to actor and singer Antony Newley, and a third, Katyana, 44, from her third marriage to American businessman Ron Kass. Their marriage broke down after Joan discovered her husband’s drug problem, which he’d spent most of Joan’s earnings on.
“He lost his job, so suddenly I was the breadwinner. At one point I was carting around three children under the age of 12. But you know, that which does not kill you makes you stronger, and I’ve never let anything get me down. I’ve never suffered from depression. Well, I did the other day for about half a day,” she laughs.
“It’s this movie I’m supposed to be doing. We were ready to shoot and then the money fell out. I felt anger, depression, sadness: ‘I’ll never work again.’ But I got into bed, ate some chocolate and watched a movie.”
It’s a remarkable statement considering Joan’s personal history. Her fourth marriage to Swedish singer Peter Holm in 1985 ended after two years due to his adultery, but it was her first marriage to Maxwell Reed that had the most impact on her.
At 17 she was drugged and raped by the Irish actor, then went on to marry him in 1952 due to feelings of guilt and not having the courage to report it. He later tried to sell Joan for £10,000 to an Arab sheik, leading to Joan filing for divorce in 1956.
While in September 2015, her dear younger sister Jackie – a pioneer of the bonkbuster novel – died from breast cancer aged 77 after battling it for six years. She only told Joan she was ill two weeks before her death.
“We were very close. She loved Percy, and Percy adored her. It took me a long time to get over it. But what can you do? That’s life, and we’re all going to go, darling. When you’ve got to go, you’ve got to go. It made me aware that time runs out for everyone, so make every day count.”
As she gets ready to leave, she fields a call to sort a dress for an awards ceremony, discusses plans for a new movie and gives a parting hug (a rarity, according to her team) before meeting her daughter to go shopping.
No one could deny that Joan is living life to the full.
The Time of Their Lives is out on digital download from July 17 and DVD from July 31.
Subscribe to:
Posts (Atom)



































