Sunday, June 14, 2015

PHOTO OF THE DAY : JOAN'S A SUPPORTER WITH A HEART!

Joan is always eager to support a healthy lifestyle campaign and this unusual shot from 2002 taken at The Houses of Commons see's Joan lend her support to Good Housekeepings Cholesterol Campaign for a healthier heart...

Saturday, June 13, 2015

PHOTO OF THE DAY ; JOAN'S A NATURAL AT SWITCHING ROLES!

For those who asked about Joan's episode of the 70's detective series 'Switch', here is a rare shot of Joan onset with the series star and her good friend Robert Wagner.. This episode from 1975 was called 'Stung From Behind' where Joan played a con artist Jackie Simon, posing as a medium with her mother played by Ida Lupino..

Friday, June 12, 2015

RIP : SIR CHRISTOPHER LEE .. 1922 - 2015 ..

Joan & Christopher with Herbert Lom & Robert Hardy
One of the screen's most enduring actors died this week, the legendary Sir Christopher Lee, who will be forever associated with his classic portrayal of the evil Count Dracula.. But Christopher had a varied body of work which comprised of over 200 feature films and television.. Joan has been a friend of Sir Christopher's for many years and they last worked together in the 1973 shocker 'Dark Places'.. They were all set to star in a film sequel to 'The Wicker Man' entitled 'The Wicker Tree', but funding fell through and the project was put on hold.. ( it has since been produced without Joan, with Christopher in a cameo role). This lovely shot was taken in 2008 in Switzerland as Joan and Christopher were guests of Montblanc.. 

PROMO UPDATE : TIMELESS BEAUTY ... SUZY STARR LIPSTICK ... SILKYRESH'S PRODUCT REVIEWS .. JUNE 11TH 2015 ..

Joan Collins DIVINE LIPS Lipstick Suzy Starr Coral Review/Swatch


 
 
 
 
 
 
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Today I am reviewing DIVINE LIPS Lipstick Suzy Starr (Coral) – £18.00 which I have been sent very kindly along with Summer Kiss Duo Evelyn, I have reviewed it in my previous post which you can find here. As I said in my previous post, Lipstick is queen of cosmetics for Joan Collins. It brings a hit of distinctive colour that lifts the face even when wearing no other make up. Joan Collins Timeless Beauty comprises three different categories: Skin Care, Cosmetics and Fragrance. In each of these categories, the high quality products are presented in a striking, luxurious packaging inspired by Hollywood glamour and Joan’s love of Art Deco.


I am loving gold vintage style, elegant and classic packaging of Joan Collins entire makeup range. DIVINE LIPS lipsticks are formulated not just to apply beautiful colour with lasting power, but to actively hydrate, so lips are softer, fuller, altogether more luscious, and with fabulous colour. There are gorgeous shades available in Joan Collins Timeless Beauty lipstick collection. Joan Collins has named all of her lipsticks after characters she has played like Alexis, Sabina, Fontaine, Sadie, Melanie, Evelyn, Helene, Lady Joan.


Again the formula of this Lipstick Suzy Starr (Coral) is excellent, applies like dream on lips, creamy, hydrating, moisturising and highly pigmented. Feels very lightweight and comfortable on lips. Suzy Star is a bright coral shade and perfect for summer, I am going to use this shade more often now. It suits my indian skin tone very well. Pigmentation of this lipstick is pretty intense. You get an opaque coverage in just one swipe. I love how the color is easily build-able making it ideal for day as well as night-time use. Again the lasting power of Suzy Starr (Coral) is amazing like Evelyn shade, the formulation of this lipstick is one of the longest lasting in any lipstick which I have tried.


So what do you think about Joan Collins DIVINE LIPS Lipstick Suzy Starr (Coral)? Which shade you often wear in summer? Joan Collins Timeless Beauty is available from QVC and direct from the Joan Collins Timeless Beauty website.
Thank you,

Wednesday, June 10, 2015

PROMO UPDATE : SMASHING INTERVIEW MAGAZINE ... JUNE 10TH 2015 ..

Donna Mills Interview: "Queens of Drama" Matriarch on Her "Amazing" Year

Written by 

Chicago native Donna Mills is probably best known for her role as Abby Cunningham on the primetime soap opera Knots Landing (a spinoff of Dallas) that aired from 1979 until 1993 on CBS. She won the Soap Opera Digest Award for Outstanding Villainess three times during her stint on the show that lasted for nine years (1980-1989).
Other television appearances include The Secret Storm, Love is a Many Splendored Thing, Gunsmoke, Police Woman, The Love Boat, Fantasy Island, Melrose Place, Cold Case, Dirty Sexy Money, Bare Essence, Nip/Tuck, GCBand many others. Films, including made-for-TV movies, are The Incident, Play Misty for Me, The Bait, Look What’s Happened to Rosemary’s Baby, Alice in Wonderland, just to name a few.
“I’d never worked with Joan, but we knew each other because back in the 1980s when we were both doing our shows, we were at many functions together, and we were friendly. She would come to my parties, and I’d go to her parties, and we always talked a lot about our characters. Those kinds of characters we were playing were similar in many ways. Joan and I always got on really great. She’s really a fun person.”
Mills can currently be seen in a recurring role as Madeline Reeves on the ABC daytime drama General Hospitaland in Pop TV’s reality series Queens of Drama which features an all-female cast working in front of and behind the cameras as they develop, pitch and produce a new steamy series with the goal of landing a pilot deal by the end of the season. In addition to Mills, the cast of soap veterans who also star are Lindsay Hartley, Crystal Hunt, Vanessa Marcil, Chrystee Pharris and Hunter Tylo. The Queens of Drama hour-long, explosive season finale airs June 10, 2015, at eight p.m. eastern on Pop TV.
Melissa Parker (Smashing Interviews Magazine): Donna, let’s talk first about Queens of Drama. How did you become involved with the show?
Donna Mills: An old friend, Leslie Greif, who’s the president of Thinkfactory Media, actually called me and said, “I have this reality show.” I went, “No, Leslie. I don’t want to do a reality show. No. No. No.” He said, “Listen to the concepts first.” I did, and Leslie told me that it was a show about these women who were trying to create anew show. I thought it was interesting because it’s a reality show, but it’s about something and has a goal. So I said, “Okay. I’ll do that.” It proceeded from there, and they put the whole thing together. They put everybody together, and it has been a fun experience.
Melissa Parker (Smashing Interviews Magazine): Were you told to swoop in amongst these women and take charge of the project?
Donna Mills: We talked about what my role would be because I only wanted to do it if I could be a certain way in it. I said I wanted to be the leader of the group. That was the only way I could do it. I had produced a lot of things, so I thought that was a good starting point for me to have the power to do what I wanted to do.
We talked about it, and it evolved over time to discussions and talking with the producers. That’s how it evolved. The funny thing about this being a reality show … as everybody knows, everything is not absolutely real. They just don’t set a camera down and let you get on with your life (laughs). But as far as how this show evolved, it really did evolve pretty much through us women.
Melissa Parker (Smashing Interviews Magazine): Had you worked with Joan Collins before she guest starred on the show?
Donna Mills: I’d never worked with Joan, but we knew each other because back in the 1980s when we were both doing our shows, we were at many functions together, and we were friendly. She would come to my parties, and I’d go to her parties, and we always talked a lot about our characters. Those kinds of characters we were playing were similar in many ways. Joan and I always got on really great. She’s really a fun person.
Melissa Parker (Smashing Interviews Magazine): Have you heard from Hunter (Tylo), or will she be in the last episode?
Donna Mills: No, she won’t. She’s not in any more of the shows. Hunter’s very much on our minds all the time, and her presence will be felt in those last two shows, but she doesn’t actually appear. She’s a very private person, so we’re allowing her to have her privacy and not try to get in touch with her.
Melissa Parker (Smashing Interviews Magazine): What can you say about the season finale?
Donna Mills: I think it’s surprising. I think how the whole thing ends really is surprising. Of course, I can’t give it away, but I think it’s surprising because we’ve been going in one direction for the whole ten episodes, and it takes a bit of a twist. Hopefully people will like that, and we’ll be able to go on to next season.
Melissa Parker (Smashing Interviews Magazine): Has there been confirmation of a second season?
Donna Mills: Not as far as I know right now. But I know Thinkfactory wants it to be another season. We all had a great time doing it, so I think all of the women would like to do it. They take their time, particularly in reality television, to pick things up. If it were an episodic series, they’d have to do it sooner because that takes longer to do.
Melissa Parker (Smashing Interviews Magazine): You’ve been an actor for nearly five decades and had your start on television with The Secret Storm in 1966. Wasn’t that show broadcast live back then?
Donna Mills: You know what? To tell you the truth, I don’t really remember. It might have been for a few episodes or something, but I don’t think it was the entire time. If it was, I should’ve had a nervous breakdown (laughs). In terms of live TV and millions of people seeing you at that moment, that’s very scary. But yeah, that was the first soap I did. I played a nightclub singer. Hello. I’m not a singer. I was a dancer. Why they chose me to be a nightclub singer, I have no idea, and I actually sang on the show. I have not yet seen a tape of that. I’ve seen some things on You Tube of The Secret Storm, but not of me singing. My character’s name was Rocket. Isn’t that the funniest character name ever? (laughs)
Melissa Parker (Smashing Interviews Magazine): Yes it is (laughs). Congratulations on winning a Daytime Emmy! How did that feel?
Donna Mills: Thank you. It was my first time ever nominated, so I was just thrilled. Absolutely thrilled and had no idea about it because I didn’t submit myself. The show submitted me. They asked me to submit myself, and I said, “No. I can’t do that.” But they did it. When the nominations came out, I thought, ”Oh my God! Really?” It was so wonderful and so nice. It’s such a nice show to be working on. The producers, writers and actors are all really wonderful to work with, so it has been a fun experience. I have that Emmy sitting on my mantle, and I just love it.
Melissa Parker (Smashing Interviews Magazine): I hear that General Hospital’s head writer, Ron Carlivati, has been obsessed with you his entire life (laughs).
Donna Mills: (laughs) Yeah. I know.
Melissa Parker (Smashing Interviews Magazine): And that he patterned your character, Madeline Reeves, after Abby Cunningham (Knots Landing).
Donna Mills: I think Madeline’s got qualities that Abby doesn’t have and maybe goes a couple of steps further than Abby would ever go. But it’s a different medium. It’s a different way of thinking about characters than we had on Knots. Ron is so sweet. I love him. The first time I met him he was a wreck (laughs). And it was after I was on the show already. It was at the Daytime Emmys last year. He was just so funny. I really like him a lot.
Melissa Parker (Smashing Interviews Magazine): Do you know how long you will recur on General Hospital?
Donna Mills: I do these arcs, and then I’m off for a little while. I come back and do an arc. They asked, “Do you like that? Does that work for you?” Actually it really does because it’s hard, and I wouldn’t like to be doing it all the time. It really works nicely. I can do it for several months or whatever, and then be off for a couple of months, and then be on again. I think it will probably continue like that.
It’s a character that they can always bring back in to stir stuff up, you know. So I think it will just continue. I’m not under contract with them, so we just kind of take it as it comes. They seem to be pleased with the way this works, and I am, too, so it’s a very nice situation.
Melissa Parker (Smashing Interviews Magazine): The work for actors is very different for daytime as compared to primetime.
Donna Mills: Oh God yes! Very. They do 150 pages a day sometimes on daytime. If I did 10 pages a day, it would be a lot when I was doing Knots. It’s one camera as opposed to three or four cameras. It’s a very different kettle of fish, a very different way of working, and it’s hard. I give the actors on soap operas all the credit in the world. It’s hard.
Melissa Parker (Smashing Interviews Magazine): Knots Landing still has a huge fan base. To what do you attribute its endurance?
Donna Mills: I know. Isn’t that wild? I think it was an extremely well written show, and the characters that were created were characters that stayed with people. Maybe they could identify with them. I think they could identify with many of the situations because it never got over the top.
My character had a big business, but then all the other characters kind of stayed in the cul-de-sac and had family and work problems. So I think it had both worlds, and it did it like no other show has ever done. I really attribute it to the writing. I think it was a well-written, well-produced show, and it was an ensemble cast. Everyone really loved working together and worked well together.
Melissa Parker (Smashing Interviews Magazine): Did you make lifelong friendships?
Donna Mills: Oh yeah. Joan (Van Ark), Michele (Lee) and I still see each other, also Ted (Shackelford) and Kevin (Dobson). Even Bill. I talk to Bill Devane now and then. Bill kind of stays to himself and has always been like that, but I love him. I loved working with him. He’s a doll.
Melissa Parker (Smashing Interviews Magazine): You have been cast in Joy, a David O. Russell film?
Donna Mills: Right, but I can’t say anything about it. He is so secretive as you probably know. How I’m involved in this movie he just doesn’t want me to talk about, so I’m not going to because I don’t want to piss David O. Russell off (laughs).
Melissa Parker (Smashing Interviews Magazine): What keeps you so vibrant and beautiful, Donna?
Donna Mills: Oh gosh. Well, thank you, first of all. I exercise every day. I eat well. I play tennis several times a week. I’ve never gone over the edge and gotten into anything that would play havoc with my looks …
Melissa Parker (Smashing Interviews Magazine): Like illegal substances?
Donna Mills: Right (laughs). Exactly, and some of them are legal. I don’t know (laughs). But I think I live a pretty healthy lifestyle, and I think that keeps me going, keeps me trying to achieve.
Melissa Parker (Smashing Interviews Magazine): Are you writing a book?
Donna Mills: Yes I am. Someone convinced me … a person that wanted me to write a book a long time ago. I said at that time, “No. What do I have to say?” They came back to me and said, “Now you might have something to say.” Well, maybe so because they had encouraged me to create a website, which I did, and in doing that, I had to go back through all my publicity and everything I had done and thought, “I have done quite a bit.”
When you’re doing it, you don’t think of it that way, but looking at it as a whole, I went, “Oh my God! I did do quite a bit!” Then this past year has just been amazing for me with everything I’ve been doing with General Hospital, Queens of Drama, the film, the Emmy. It all kind of snowballed. This might be the time I’m going to try and tell the story.

PHOTO OF THE DAY : IT'S PARTY TIME FOR THESE LEGGY LEGENDS!

This great shot featuring four legendary ladies is from 2004 at Nikki Haskell's Halloween party.. With Nikki and Joan is Alana Stewart and the late great Suzanne Pleshette..

Monday, June 8, 2015

BLOGGER UPDATE : TIMELESS BEAUTY .. PIXIWOO.COM . .. MONDAY 8TH JUNE 2015 ..

Joan with Sam & Nic Chapman
Joan took time out from her QVC appearances to chat to bloggers and top make-up artists Sam & Nic Chapman for their highly successful beauty blog Pixiwoo.. You can catch Joan's interview on their Tuesday Chat feature in two weeks time.. Watch this space..
Check out ...   http://www.pixiwoo.com/ for more on the girls!

TV UPDATE : THE MORNING SHOW ... QVC UK .. MONDAY JUNE 8TH 2015 ..

Joan with Claire Sutton

Must apologise to email subscribers, for some reason my TV alert for Joan's two appearances on Monday on QVC were not included in the email update.. Here is a photo of Joan on 'The Morning Show' where she guested to talk about 'Class Act' lash treatment gel with host Claire Sutton.. Thanks to Alyn Waterman for sharing..

PHOTO OF THE DAY : JOAN'S THE PERFECT SOCIETY HOST!

This rare still features Joan in an advert for the Bristol & West building society in 1987, this was one of three ads Joan appeared in for them...

Sunday, June 7, 2015

PHOTO OF THE DAY : IT'S A HANDS ON ROLE FOR JOAN IN BENIDORM!

Joan enjoyed her latest visit to the set of 'Benidorm', to film an episode of the new season screening later in the year.. This shot features Joan with series creator Derren Little and co-star's Sherrie Hewson and Shane Richie..

TV ALERT : QVC UK .. THE MORNING SHOW 9AM / THE LUNCHTIME SHOW 1PM .. MONDAY JUNE 8TH 2015

Don't forget to tune into QVC UK on Monday 8th June as Joan will be guesting on The Morning Show at 9am and the The Lunchtime Show at 1pm.. Watch live here ..  http://www.qvcuk.com/Live+Channel.content.html?sc=LTVMH
Check out WWW.JOANCOLLINSBEAUTY.COM  to view the full range...


Friday, June 5, 2015

TV ALERT : PINEWOOD 80 YEARS OF MOVIE MAGIC .. SATURDAY JUNE 6TH 2015 .. BBC2 9PM ..

Hollywood may dominate our movie-going habits, but the British film industry has a lot to shout about.
"British film-making has always been defined by exceptional talents and maverick voices, championing the unique over the uniform," says Jonty Claypole, director of BBC Arts. "Working in close partnership with the BFI, benefitting from their insight and expertise, this ambitious season crosses television, radio, online and cinema screens."
Heather Stewart, Creative Director of the BFI adds: "It's a thrill to work alongside our partners at the BBC to bring Britain's illustrious big screen heritage to the UK's small screens, and highlight some of British cinema's greatest achievements to the widest possible audience."
The Genius of British Cinema season really gets going today, with the 1958 version of A Tale of Two Cities, starring Dirk Bogarde, kicking things off at 7am.
Then, at 9pm, comes Pinewood: 80 Years of Movie Magic, a feature-length documentary about the country's most famous studio.
It was founded in 1935 by J Arthur Rank, who had made his fortune from milling flour and had originally got into film-making as a way of promoting his Methodist beliefs. He joined forces with three other investors to turn Heatherden Hall and its surrounding land near Iver Heath in Buckinghamshire into a studio that would rival anything in Hollywood.
Rank was, however, the driving force behind the project, and branched out into distribution and exhibition so that his movies would never be swamped by American products.
During the 1940s and 1960s, the Rank Organisation was behind some of the most memorable British films ever made, including A Matter of Life and Death, Henry V, Brief Encounter and Great Expectations.
Rank himself remains an important figure, so much so that the house in which he was born in Hull recently underwent a refurbishment and was reopened with much pomp and ceremony, including a muscleman with a gong - which was the symbol of his company.
He may have backed many films over the years, but arguably Rank's greatest creation was Pinewood itself. It's still going strong and is the home of Harry Potter and James Bond, while the forthcoming Star Wars sequels were also shot there.
In this programme, Ross meets some of the stars who have worked at Pinewood, including Barbara Windsor and Joan Collins, and even watches one of John Mills' finest films alongside his daughter, Hayley, who made Whistle Down the Wind there as a child star in the 1960s.
Producer and director Matthew Vaughn shares his memories of making Kick-Ass and Kingsman: The Secret Service (both co-written with Ross' wife, Jane Goldman), and discusses why the place is so important to makers of blockbusters.

PHOTO OF THE DAY : PAUL'S A DAMES BEST FRIEND!

Joan currently in Alicante to shoot her latest episode of hit ITV series 'Benidorm' met up with friend West End star/ choreographer Paul Robinson...

Thursday, June 4, 2015

IN MEMORY : COSTUME DESIGNER JULIE HARRIS 1921 - 2015 ..


'Turn The Key Softly' with Joan & Glyn Houston

One of cinema’s leading costume designers for more than 40 years, Julie Harris dressed some of the world’s biggest stars, from the screen sirens Bette Davis, Joan Crawford, Lauren Bacall and Joan Collins to male institutions such as Gary Cooper, Alan Ladd and Gregory Peck. Julie dressed Joan in the 1953 drama 'Turn The Key Softly'.
A high point was winning an Oscar after creating a modern look for Julie Christie’s bed-hopping, free-spirited model in the modish 1965 film Darling, which captured the freedoms being enjoyed – and exploited – at the height of the Swinging Sixties. Christie herself won the Best Actress Oscar for her performance in the John Schlesinger-directed film made in black and white.
Modestly, Harris declared that she would not have won her own Academy Award but for it being the last year that Best Costume Design honours were given to both mono and colour pictures (Doctor Zhivago, also featuring Christie, took the Oscar for colour costume design), but her creations of the star’s above-the-knee skirts, headscarves, skimpy nightwear and bikini, and a medieval costume added their own colour to the film.
Harris was firmly in the vanguard of 1960s fashion when she worked on director Richard Lester’s Beatles films A Hard Day’s Night (1964) and Help! (1965), not only dressing the Fab Four but also designing Indian-inspired costumes for Eleanor Bron in the latter. She then provided wardrobes for David Niven, Ursula Andress, Jacqueline Bisset and other candy-coloured, mini-skirted performers in the 1967 James Bond spoof Casino Royale.Julie Harris with the Beatles and Wilfrid Brambell, stars of ‘A Hard Day’s Night’ in 1964Julie Harris with the Beatles and Wilfrid Brambell, stars of ‘A Hard Day’s Night’ in 1964
However, Harris preferred creating period costumes and particularly enjoyed masterminding the colourful Georgian-style ball gowns for the musical The Slipper and the Rose (1976), director Bryan Forbes’s re-telling of the Cinderella story. For one song in the 1969 musical version of Goodbye, Mr Chips, Petula Clark needed eight different changes of dress, but that was an easy task for Harris compared with remedying the problem of the schoolboys’ ties and hatbands arriving for the first day of filming in Dorset without the necessary stripes. Fortunately, her wardrobe supervisor found local art students to spend all night painting on the white stripes.
Dressing Dame Edith Evans as a “funny, dotty old lady” for The Whisperers (1967) presented different problems. “I had bought a tatty old fur coat for a pound on Portobello Road,” said Harris in a 2002 interview with Josephine Botting. “I put her in this moth-eaten old fur coat and strange felt hat. She still looked like this terribly grand lady. The fur coat was out. It was quite difficult making her look the part.”
Another veteran star, Deborah Kerr, was a favourite of the costume designer and, through working on four films together, they became good friends.
Harris was born in London, daughter of Henry, a business executive, and his wife, Rose (née Taperell), and as a child loved watching Hollywood film musicals. After attending a private school in Maidenhead, Berkshire, and studying at Chelsea School of Art, she worked for a court dressmaker, Nesta Neve. Then in 1941 her arm was badly injured in the Luftwaffe’s bombing of the Café de Paris, a fashionable London cabaret venue, which killed more than 30 people. Harris served with the ATS for the rest of the Second World War.
She began her film career as a design assistant at Gainsborough Pictures, working with its top costume designer, Elizabeth Haffenden, on The Magic Bow (1946). She was quickly promoted to costume designer on Holiday Camp (1947), which introduced the cockney Huggett family to the screen, and over the next six years dressed stars such as Googie Withers, Bette Davis, Patricia Roc, Mai Zetterling, Jean Kent, Joan Collins and Dirk Bogarde.
Joan with Kathleen Harrison & Yvonne Mitchell
In 1953 she was contracted to Rank, where she not only designed actors’ film wardrobes but also their costumes for special events. She was less than happy when asked to create a mink bikini for Diana Dors to wear in a gondola trip down the Grand Canal for a Venice Film Festival publicity stunt in 1955. In the event, mink was considered extravagant and, contrary to the publicity, the outfit was made of rabbit fur.
On screen, Harris was experimenting with vivid hues and luxurious fabrics in the Technicolor films You Know What Sailors Are (1953) and Simon and Laura (1955). Dressing Jayne Mansfield for the American West in The Sheriff of Fractured Jaw (1958), she was instructed to raise the sex symbol’s plunging neckline. She did so but had to make the bar-room girls’ necklines even higher when Mansfield saw their costumes. Adept at appeasing demanding stars, she also had to deal with Melina Mercouri’s refusal to wear high-waist dresses in The Gypsy and the Gentleman (1958).
Harris left Rank to go freelance in the 1960s and found herself in great demand with films such as Alfred Hitchcock’s Frenzy (1972), Roger Moore’s first outing as James Bond, Live and Let Die (1973), and Dracula (1979). Her Victorian costumes in The Wrong Box (1966) won her a Bafta Award for Best British Costume.
Before retiring in 1991, Harris spent much of the last decade of her working life on television films such as The Hound of the Baskervilles (1983) and Arch of Triumph (1984), where her costumes and attention to detail did much to add to the period look of those productions. In her later years, she enjoyed painting in oils. She never married.
Diana Julie Harris, costume designer: born London 26 March 1921; died London 30 May 2015...

TV ALERT : PINEWOOD 80 YEARS OF MOVIE MAGIC.. BBC2 .. SATURDAY JUNE 6TH 2015 .. 9PM..

Don't forget to tune into BBC 2 this Saturday evening at 9pm to catch Joan as she returns to Pinewood Studios to chat to Jonathan Ross about her early days at the studio and her time in the stills gallery with legendary photographer Cornel Lucas.. Also talking to Jonathan is Barbara Windsor...

Tuesday, June 2, 2015

EVENT UPDATE : ROYAL ACADEMY OF ARTS ANNUAL DINNER & AUCTION .. BURLINGTON HOUSE LONDON .. JUNE 2ND 2015 ..

Dame Joan chats to The Duchess of Cornwall
 

RA Schools Annual Dinner and Auction

The RA Schools Annual Dinner & Auction is an exclusive fundraising dinner and auction for over 300 people, in celebration, and in aid of, the Royal Academy Schools.
The proceeds of this fundraising event go towards the RA Schools. The Royal Academy meets the cost of tuition fees for all students accepted onto the course, which means the Schools can offer places based on the creative potential of the candidates who apply – a principle upon which the Royal Academy Schools was founded in 1768.
The RA Schools is the oldest art school in Britain which continues to give an unparalleled opportunity for students to develop their work over a three year postgraduate degree, the only one of its kind in Europe. The RA Schools may be steeped in history but remains at the forefront of contemporary art, spearheading a new generation of international artists.

PHOTO OF THE DAY : JOAN STEALS THE SCENE IN MOLLY'S WORLD!

Joan's upcoming film 'Molly Moon' is doing the rounds of the film festivals and is going down a storm.. Here is a super still of Joan as gangsters mom Tracy with her on screen son played by Dominic Monaghan....

Monday, June 1, 2015

PHOTO OF THE DAY : LOOK LIKE A STARR WITH THIS TIMELESS BEAUTY!

Don't forget to check out the sensational new addition to Joan's best selling 'Timeless Beauty' range .. Named after her sultry scheming character of Suzy Starr from an episode of 'Tales of the Unexpected' called 'A Girl Can't Always Have Everything', which also stars Pauline Collins who will be reuniting soon with Joan for the exciting new film production 'The Time Of Their Lives'..
Check out .. WWW.JOANCOLLINSBEAUTY.COM  to peruse the full range...

Saturday, May 30, 2015

TV ALERT : PINEWOOD : 80 YEARS OF MOVIE MAGIC ... BBC 2 ... SATURDAY JUNE 6TH 2015 ..


Saturday 6 June
9.00pm-10.30pm
BBC TWO
In this special documentary, Jonathan Ross takes viewers on a personal tour behind the scenes of Britain’s most iconic studios, bringing the extraordinary Pinewood story to life and celebrating 80 years of British filmmaking.
In 1935 the original British movie maverick, flour magnate J. Arthur Rank, began work on his greatest dream: a British film studio that would be the best in the world. Eighty years on, Pinewood Studios has become one of the most famous in cinema, the beating heart of the UK’s film industry and an artery that runs through the story of British film heritage.
At the heart of the programme is Jonathan Ross’s exploration of this iconic studio. He tells the story behind some of Britain’s greatest film moments and reveals the magic behind the movies in some special sequences: he even gets behind the wheel himself to attempt an audacious car stunt, learns how to choreograph a musical sequence from The Muppets Most Wanted, before staging an ambitious underwater action sequence in the fabled underwater stage complete with burning wreckage and a damsel in distress! Jonathan will also encounter the ‘Pinewood people’, who have worked there past and present and the stars who helped make Pinewood great.
Barbara Windsor will take Jonathan on a golf buggy tour of the back lots to discover what it was like making classic comedy at Pinewood. Together they explore the exact sites where Barbara did some vigorous exercises for Carry On Camping and see how Heatherden Hall was transformed to a British Raj villa for Carry On Up The Khyber.
Inside the grand Hall itself Dame Joan Collins will reveal the secrets of J Arthur Rank’s determination to discover and nurture young stars as she returns to the very room where legendary publicity photographer Cornel Lucas spent weeks creating her iconic brand.
“I was very bohemian. I wore black polo necks, I wore no lipstick and black eye-liner with bags under my eyes,” Dame Joan tells a new documentary about the history of Pinewood film studios.
“I went to jazz clubs all the time and I smoked cigarettes.
So when they brought me to the studios and started to tart me up and put lipstick on me and do my hair I wasn’t really thrilled about that.
I would rub it all off, take it all off when I went home and put my civvies on.”
In Pinewood: 80 Years Of Movie Magic, Joan,  also recalls being shot by famed photographer Cornel Lucas.
Confronted with a picture of herself in a tight jumper, she exclaims: “That’s ridiculous, why did we do that?
What kind of bra is that? It’s really embarrassing.”
Jonathan will watch a special screening of Sir John Mills in Great Expectations with none other than his daughter Hayley Mills, who followed in her father’s footstep and began her own acting career as a child at Pinewood in films such as Whistle Down The Wind.
But of course no tour of Pinewood would be complete without a 007 moment; Jonathan is joined by the woman who keeps Bond in check, Miss Moneypenny herself Naomie Harris, before sneaking on the set of the latest Bond instalment SPECTRE, to meet the man behind the myth, executive producer Michael J Wilson.
Maverick director Matthew Vaughn will also share his own memories of the ambitious blockbusters he has created at the studio, from Kickass to Kingsman - he understands more than most why Pinewood remains the only studio of choice for epic productions.
With rare behind the scenes archive from the BFI, Pinewood: 80 Years of Movie Magic, is a shameless celebration of British cinema and the incredible survival story of a studio that constantly reinvents itself.

Credits

RoleContributor
PresenterJonathan Ross
Interviewed GuestJoan Collins
Interviewed GuestBarbara Windsor
DirectorJohn Hodgson
Executive ProducerPauline Law

Broadcasts

  • Sat 6 Jun 201521:00
    BBC TWO EXCEPTNORTHERN IRELAND,WALES
  • Sat 6 Jun 201522:00
    BBC TWO NORTHERN IRELAND, WALES ONLY